Name: Luke Combs UK
Start: 2025-02-25T20:00:00
End: 2025-02-26T00:00:00
Location: Stone Church

“It’s a portrait of who we are as collaborators, as really long term friends and as extended family as well,” leader Emily Sprague says of her band’s new self-titled album. Florist is also the strongest album of the band’s decade-long career, an immersive work that conveys the magic of the earth and of family, and the whole of the band’s heart. It arrives just after the cap of a winding journey. In 2017, shortly after the release of the band’s sophomore record, If Blue Could Be Happiness, Sprague sequestered herself in Los Angeles, thousands of miles away from friends and family, and from the physical void and spiritual crisis left in the wake of her mother’s death. There, she took up surfing and released Emily Alone, which was essentially a solo album released under the Florist moniker. Only after months of self reflection and therapy did Sprague realize that life in a silo is no way to live. That a life directed by fear is not much of a life. “The trauma response to losing my best friend, my mom, was to feel really afraid to get close to anybody ever again,” she says. “It’s sort of cheesy, but I realized that life is better when you share it. The answer isn’t to isolate yourself and be alone.” So she began writing Emily Alone’s companion, the other side of the binary, a record that rings distinctly of Sprague’s tender and poetic spirit, filled with nature and wonder and tears, but without all the loneliness and seclusion. She also adopted a dog, who, she says, “completely changed my life.” “My mind just started exploding with all these thoughts about what it means to live with others, and live with love and care collaboration.” Then, for all of June of 2019, amid a hot and rainy summer, Sprague (guitar, synth, vocals), Jonnie Baker (guitar, synth, sampling, bass, saxophone, vocals), Rick Spataro (bass, piano, synth, vocals) and Felix Walworth (percussion, synth, guitar, vocals) convened in a rented house in the Hudson Valley, to live and work together. It was the first time the quartet recorded that way, and for that long. “In the past we’d meet up for a couple of days, or one day here and there,” Spague recalls. “Living together for a month is a really big part of why the arrangements are the way they are, and also why the instrumentals are such a huge part of the record.” They set up their gear on the screened-in front porch, which looked out onto a canopy of trees, allowing the sounds of nature to play a leading role through out. Then, they experimented. The production and recording of the album directly reflects the organic ways in which the band worked that month, with whispering voices, crickets, rain and birds accenting the aleatoric quality of the instrumentation, each player drawing from the communal energy of the woods and their interpersonal bonds. Poignant, guitar-centric meditation “Red Bird Pt. 2 (Morning)” carries on Sprague’s concern with love, loss and the natural world. “She’s in the birdsong/She won’t be gone,” she sings of her late mother, proffering a merciful sense of resolve. “Feathers” finds her facing her fears over threads of bowed guitar while “Dandelion” meditates on the beauty of our finite existence, pairing synth and fingerpicking with the spirit of Emily Dickinson. “Sci Fi Silence” occupies a liminal space between soul baring confession and contemplative new age, a swirl of analog synth that culminates in a full-band meditation. “You’re not what I have, but what I love,” the band sings over and again until the words grow into a kind of mantra, a thing that at once pierces and heals. The quartet played through muggy days and breezy nights, and often impromptu. “In between working on songs specifically, somebody would be sitting on the porch playing a little instrumental piece, and somebody else would be in the kitchen making dinner and stop, and go to the porch and pick up a random instrument,” Sprague explains. These creative bursts became the album’s ambient instrumental bridges, like “Variation” and “Jonnie on the Porch,” gentle moments that portray their life together in that particular moment. The bells heard throughout the album are from a collection housed in the rental, the animals were their neighbors. The result is 19 tracks that feel like the culmination of a decade-long journey, their fourth full-length album, but the first deserving of a self-titled designation. “We called it Florist because this is not just my songs with a backing band,” Sprague explains. “It’s a practice. It’s a collaboration. It’s our one life. These are my best friends and the music is the way that it is because of that.” After making the record they always knew they could, together, as one, Sprague could no longer live on the west coast without her band and blood. So, she returned home. Last year, she moved back to The Catskills to be closer to her father and her creative collaborators. She misses surfing, but finds peace in the area’s natural landscapes, and through a strengthening sense of physical reconnection. “A goal is to share the band’s connectedness and relationship, but also how we’re all connected,” she says. With Florist, Emily is no longer alone.Lily Seabird is a perceptive songwriter who can channel moments when everything feels raw andoverwhelming into something healing and galvanizing. With Alas, she confronts grief with palpableclarity on tracks that careen from delicate folk to blistering indie rock. While it’s her second LP, itserves as a proper introduction to an undeniable and idiosyncratic voice.

Florist

Truly great pop songs do not require a cheery outlook in order to work, nor do they pander to expectations of syrupy sweet easy-listening. Rather, the best pop music is a matter of refinement and pure intention, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison, revealing some brief, sober truth about our shared human condition. On their third LP, Moments of Clarity (Run for Cover), Narrow Head have achieved precisely this feat. Traversing the depths of massive, churning riffs, often distorted to the point of violence, bouncing, lock-grooved rhythms, and crystalline, gorgeously constructed hooks, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain, pleasure, and confusion of modern living. Each track is sentimental without being precious, heavy without unnecessary griminess, pop-forward without letting the listener off the hook easy: these songs ask for some form of hurt or desire to be paid back to them in return, some promise that the listener is putting equal skin into the game.

Narrow Head

All Eye Trio returns to Stone Church!OG members of Goose Ben Atkind and Kris Yunker reunite joined by guitarist Ari Joshua!

All Eye Trio

Embrace a new way to move to the Tinkers.If you've never contra&nbsp;danced before it's easy, exhilarating&nbsp;and friendly.&nbsp;OR if you just wanna grove out on your own, that's cool too.&nbsp;If are a "contra dancer", get ready to think a bit outside&nbsp;the box. Express yourself to latin, afrobeat, funk, reggae, blues, and of course trad fiddle. Surprises all night long.

Glow Dance 

Psychedelic rock group TEKE::TEKE are intimately familiar with duality, of splitting reality between past and present, complex melodies and hushed interludes, intense action and lingering response. After building their sound through careful assembly of countless splinters of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, the Montreal-based seven-piece indulged in and learned from stretching out in free-floating experimentation on the road. Now releasing their sophomore album, Hagata (due June 9th via Kill Rock Stars), TEKE::TEKE move fully in the space between, embracing the power of mythic pairings and identities lived at once. Matching muscly intensity with moments of cloudy meditation—like a world-class high jumper finding bliss at the apex of their leap—the group frame expressive compositions with regal flute, rich horns, ecstatic guitar, and a thumping rhythm section.

TEKE::TEKE

Nico Suave returns for another night of Led Zeppelin classics!

Nico Sauve

Our traditional pre-Turkey Day Hip-Hop Night featuring JARV returns!This year withB. DolanCoyote Reverie- Album Release Show!Sleepy Spectre&amp; SubTex

Thanksgiving Eve Hip-Hop Night

Presented By Zanaty Productions, Loose Leaf Talent Agency, &amp; The Stone Church Brattleboro.&nbsp;The Band&nbsp;and their surrounding cast of legends has played in the soundtrack of many hearts for almost 60 years now. In honor of the late Robbie Robertson,&nbsp;The Zajac Brothers Band&nbsp;began paying homage to the night that was&nbsp;The Last Waltz&nbsp;and has assembled a veritable powerhouse of musicians to recreate the songs from the famed occasion. Guests and horns will join&nbsp;The Zajac Brothers Band&nbsp;to help bring these songs to you!

The Zajac Brothers Band

Once again we return to our FAVORITE venue!! The Stoned Church in Brattleboro Vermont! Everytime we are here is better than the last, so get your ticket early.Wolfman Jack is a live music project of musicians from the New England area performing the psychedelic and electrifying Live Dead to Europe 72' era of The Grateful Dead. A true dance band in the style of such legendary venues as The Fillmore West, Carousel Ballroom, Avalon Ballroom, Winterland Arena and the Strand Lyceum. They recreate those vintage sets from when the Grateful Dead were first cutting their teeth as a live music act. Don't miss it<img src="https://static.xx.fbcdn.net/images/emoji.php/v9/tbe/2/16/1f3b6.png" alt="🎶"><a target="_blank" rel="noopener noreferrer nofollow" href="https://archive.org/details/@chaotix">https://archive.org/details/@chaotix</a>

Wolfman Jack

Frank Black will be performing solo acoustic, don't miss this rare show!

Frank Black (solo)

A relentless road warrior and masterful wordsmith, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty, Galactic, Steel Pulse, Tall Heights, Martin Sexton, Anders Osborne, and George Porter, Jr;&nbsp;shared bills with the likes of Tedeschi Trucks Band, Ani DiFranco, Todd Snider, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.”Montbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before, touching on folk, rock, funk, soul, hip-hop, and reggae, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable, grappling with a modern world perpetually teetering on the edge of chaos, but the performances are relentlessly optimistic, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love.

Ryan Montbleau

Prince/Bowie is a tribute fusion band that combines the music of Prince and David Bowie into a high energy live show. It features a rotating Allstar cast of characters from various national acts including Pink Talking Fish, Twiddle, Remain In Light and more.This band was created by the founder of Pink Talking Fish and adds a unique flavor to the Tribute Genre. Leading the stage is Josh Schwartz, a powerhouse vocalist and Baritone Sax player who is featured in the current Talking Heads ensemble, Remain In Light.The mix of the Prince and David Bowie songbooks blend beautifully and an extra spice is added with master composer, Matt Wayne, creating unique horn arrangements that enhance the music in a special way.

Prince/Bowie

<blockquote>E, the trio of Jason Sanford (Neptune), Thalia Zedek (Come, Live Skull) and new drummer Ernie Kim released their 5th full length LP on Silver Rocket in April of 2024.Formed by Sanford and Zedek in 2013 with original drummer Alec Tisdale, E released a cassette and 7” before being joined by drummer Gavin McCarthy (Karate) and recording their 1st self titled full length in 2016 for the Thrill Jockey label.2018 saw their 2nd LP “Negative Work” also released on Thrill Jockey. Their subsequent 2 LP’s, 2020’s “Complications” and 2022’s “Any Information”, were released by the Czech label Silver Rocket.After the recording of “Any Information”, McCarthy was replaced by Ernie Kim on drums for the subsequent European tour.&nbsp;In 2023 E released their first recording with Kim, a live 7” recorded at cave12 in Geneva on the 100% Breakfast label.Very special guest Roger C. Miller (Mission of Burma): "Unplugged", will play solo songs from across his career to open the night.</blockquote>

A Band Called E w/ Roger C. Miller (Mission of Burma)

For years, The Country Christmas Sing-Along Spectacular has somehow managed to pull off what many thought impossible: a holiday show that consistently delivers a dazzling display of yuletide cheer. Whether you’re a devoted fan or about to dive into this delightful spectacle for the first time, one thing is certain: this is a sing-along you don’t want to miss. For what began as ragtag revelry has blossomed into a beloved tradition that captures the true spirit of the season. With a show-stopping lineup of classic carols, quirky original tunes, and hilariously engaging trivia to test your holiday know-how, you’re in for a bonafide treat reminiscent of Christmas specials of yore.This year, the honor of hosting falls to the inimitable Zara Bode, a seasoned starlet whose knack for holiday magic is rivaled only by her ability to whip up six-inch ribbon curls.&nbsp; Renowned for her quick wit and enchanting voice, Zara has a love for a well-crafted show, an eye for treasures hidden in the post-Christmas clearance shelf and an ear for seasonal tunes that aren’t sung enough.&nbsp; She and her merry band are ready to weave together an evening of music and laughter with you, making for an annual gathering that feels more like a family reunion gone delightfully awry than your typical holiday performance. &nbsp;So, dust off your tackiest holiday sweater, warm up those vocal cords, take a swig of eggnog and brace yourself for a joyful burst of merriment.&nbsp; Because, dear friends, this isn’t merely a show.&nbsp; It’s a raucous sing-out-loud celebration that reminds us all that NOTHING is too much trouble for Christmas!

The Sweetback Sisters Country Christmas Sing-Along Spectacular 

Jatoba is a high-energy groovegrass bluegrass trio that has been captivating audiences since their formation in 2008. Hailing from Brattleboro, Vermont, the band consists of John Jamison (guitar, mandolin, vocals), Jason Scaggs (guitar, banjo, vocals), and Jeff Richardson (upright bass, vocals). Known for their unique musical connection, the members of Jatoba bring uniqueness to their songwriting and compositions and communicate seamlessly through spontaneous composition and improvisation, bringing an unpredictable and dynamic element to their performances. Influenced by their roots in the Blue Ridge Mountains of Virginia and the mountains of Vermont and New Hampshire, Jatoba has shared their music up and down the East Coast. They have provided direct support for celebrated acts like the Jeff Austin Band, Greensky Bluegrass, Trampled By Turtles, Rusted Root, The Kitchen Dwellers, The Infamous Stringdusters, and Leftover Salmon, and have been featured at festivals such as Northlands Music Festival and Frendly Gathering, with recent recognition from Rolling Stone. The band’s versatility is evident in the multi-instrumental talents of each member, enabling them to craft rich, layered soundscapes infused with dynamic bluegrass rhythms that distinguish them within the genre. Their signature style merges intricate, original songwriting with tight three-part harmonies, driving tempos, and even the occasional touch of beatboxing, delivering a fresh and innovative approach to bluegrass music. With over a decade and a half of performing in theaters and festivals across the Northeast, Jatoba continues to evolve and excite with their distinctive groovegrass bluegrass sound and spontaneous improvisation, winning over new fans at every turn.

Jatoba/Hot Day At The Zoo

Club d’Elf returns to Stone Church for another epic night of genre bending psychedelic grooves.

Club d'Elf 

We’re excited to welcome you back to launch another spin round the sun with our favorite theatrical punk gypsy rockers Bella’s Bartok!!!

Bella's Bartok Strange Ones Ball

Mind Left Body is a western Massachusetts’s based ensemble specializing in thoughtful interpretations of classic Grateful Dead music. Hailing from the Pioneer Valley, performances showcase vocal harmonies and expansive musical explorations while also staying deliberate and focused on the beautiful songwriting talent that propelled the Grateful Dead to the ranks of one of America’s most interesting rock and roll bands. For more information on MLB, visit <a target="_blank" rel="noopener noreferrer nofollow" href="http://mindleftbodyband.com/">mindleftbodyband.com</a>.

Mind Left Body

In the deep Upstate New York winter of 2022, trees bare and taunting, Nandi Rose found herself searching for an apricitic clarity. She has always found the season difficult; its ruthless theft of birdsong and flora, heavy clouds low and smothering what little light remains. But the cacophonous silence of that winter was particularly brutal. It should have been stirred by the growth of life, a promise of a new chapter, a bright dawn, as Rose learned she was pregnant with her first child. That promise was broken in early December, when stillness took over the ultrasound screen; slow-motion mouths told her the life inside her had ended. Like a snapped branch weighed down by leaden frost, Rose lost a part of her future she thought would blossom.Baldwin tells us we must say yes to life, to “embrace it wherever it is found – and it is found in terrible places – nevertheless, there it is.” This is the guiding force of See You At The Maypole, the sixth full-length album in Half Waif’s prolific catalog. If we look for color in the midst of our own personal winters, the brightness will soon begin to bounce off the snow. This gathering of resilience and clutching of chiaroscuro––celebrating both light and dark––guides us on a journey towards acceptance and surrender. Rose had to figure out how to love her life, even if it didn’t look like what she wanted it to.See You At The Maypole was originally intended as a departure from the darker works of Half Waif. Whereas 2021’s Mythopoetics dealt with familial traumas and the patterns we carry with us, Rose––armed with the anticipation of planning her own family––envisioned a new collection of soft and joyous odes to motherhood, and to new beginnings. That writing sparked in the summer of 2021 at a solo retreat in the Catskills, as melodies formed in a small cabin overlooking a luscious and rain-rippled pond. A month later, Rose found out she was pregnant and anticipated nine months of writing through a new, maternal lens, speckled with the verdure of certainty. But when that soundless morning arrived in December, See You At The Maypole took on a new life. One that would seize the uncomfortable reigns of uncertainty.The treatment of a missed miscarriage, as with an at-home abortion, is most effective with the use of two pills: mifepristone and misoprostol. Rose, however, was only prescribed the latter, likely due to FDA regulations on the former. Over the course of the next four months, her body did not recover as it should have. It wasn’t until the spring that she learned she had retained pregnancy tissue and needed an additional procedure, finally allowing her to move forward. “I was literally carrying death inside me,” she explains, “and then my body was frozen.” In that same time, Rose’s beloved mother-in-law was diagnosed with aggressive pancreatic cancer; it felt like the universe was playing an endless, cruel joke. And so, Rose wrote to save herself. Before the sunrise, she wrote in the quiet corner of the would-be nursery while her husband slept across the hall. These were lullabies for no one, whispers dissipating into the fog.While the seclusion of grief feels infinite, Rose brought the songs to her trusted friend and longtime collaborator of the past decade, Zubin Hensler. The pair worked away from others for Mythopoetics, carefully crafting each note and flourish themselves but something else was needed for See You At The Maypole. Rose was learning to loosen her grip on perfection, to splatter the canvas or leave the dropped stitch, and know that it will be beautiful anyway. “How can I take the heaviest material of my life and make it feel like air?” she asked. Live takes, whispered early-morning vocals and distorted phone recordings were all kept. It became a children’s coloring book, broken crayons smudged across the lines.In The Wild Edge of Sorrow: The Sacred Work of Grief by Francis Weller, the author highlights the importance of ritual spaces, and how many communities tend to gather in these spaces when someone has lost a loved one. Though the stem of many of these songs were written in isolation, Rose’s lullabies would soon bloom into a collective calling for anyone experiencing their own personal winter. See You At The Maypole is a room for wailing, not just for catharsis but for connection. Like lung-bursting sing-a-longs alone in the car, notes leaving the open window to be caught by another.&nbsp;“This wasn’t just my story, I wanted to say. It was every story of loss—the loss of a life, the loss of a dream, the loss of trust and hope and faith. A story of finding a way back again,” Rose explains. “My own avenue back to the land of the living was through my relationships with people and with the natural world. It only seemed right that these songs would invite those people in to build the very heart of the sound.” To that end, Hensler and Rose welcomed a wealth of players and friends into the world of the record: Jason Burger and Zack Levine on drums and percussion; Josh Marre (Blue Ranger) on guitar; Hannah Epperson and Elena Moon Park on violin; Kristina Teuschler on clarinet; Willem de Koch on trombone; Rebecca El-Saleh on harp; and Spencer Zahn on upright bass. Andrew Sarlo (Big Thief, Bon Iver) lent his deft mixing skills to many of the tracks, including lead single ‘Figurine.’&nbsp;New York City-based choir Khorikos adorns several songs, most notably on opener ‘Fog Winter Balsam Jade’ urging a mantra of collective howling. Naming those stomach-prodding reminders of grief but still recognizing their beauty: cutting an apple in the kitchen; watching a bird take flight from the back yard; a morning glory climbing up the corner of the house (‘Collect Color’); a sunset in the rearview mirror (‘I-90’); fog, winter, balsam and jade. The natural world has often been a cradle to Rose––a gentle sway of serenity––but it’s on See You At The Maypole that she had to look to its tougher lessons, and embark on a metamorphosis of her own. “Let me be oak,” she utters on ‘Heartwood’. “I embrace in all directions.”&nbsp;Hensler and Rose recorded some––but not all––at Hensler’s Brooklyn studio, departing the comfort of those reassuring walls and stepping into the constellations of Chatham, NY, Kingston, NY, the St. Anthony of Padua Church in Manhattan, and notably, Imogen Heap’s The Hideaway studio in England. Hidden in the heart of a green conservation area, The Hideaway provided a foundation for moments on ‘Fog Winter Balsam Jade’; the urgent, percussive swells of ‘Ephemeral Being’; the glittering statement of ‘Heartwood’ and ‘The Museum’ –– a languid, uneasy look at bringing life into a crumbling world. There is no shadow without light, and as the strings soar, Rose desperately grasps at the responsibility of motherhood. Sustained, ghostly vocals fill the outro, wrestling with the blessing and insecurity of new parenthood.&nbsp;Dynamic arrangements adorn See You At The Maypole, but there are also moments of simplicity. ‘Figurine,’ a tender ballad written in January 2022, mimics the immobility of pain, but the perseverance of trying to move past it. Rose’s quiet lament of “I love you when it’s snowing, I love you when it’s warm” opens the song, pointing to the seasons of grief, as well as the glimmer of change and growth. “Not everyone will go through a miscarriage but this is a song about how to continue on when you're in a deep, deep sense of loss,” Rose says. “Head up, it’s gonna get so much better you’ll see,” it urges, a chin-up, jewelry box figurine, continuing its dance despite it all.See You At The Maypole is a recognition of personal sadness, and a call to ecstatic togetherness. It’s gathering the colors of our spirit, in all its shades, and making something intricate and remarkable. The ceremonial folk dance performed around a maypole is filled with fauna and flora, with ribbons woven into complex braids incapable of unraveling; these dances are survivals of ancient ritual, honoring the living trees, and the return of Spring and fertility. These patterns––this dance––cannot be completed alone, and so, Half Waif welcomes others to join her, a collective of bleeding color. “We are so much stronger for the colorful experiences we go through,” she says. “That's where we find our humanity and find each other.”&nbsp;

Half Waif

Jessica Lea Mayfield is singer songwriter hailing from rural Ohio, she’s been active since age 15 as a solo artist and grew up living in a bus and traveling around playing bluegrass festivals with her parents family band starting at the age of 8. She writes ominous Appalachian folk rock depicting love and relationships and human dynamics. Her 4th studio album is set to be released end of this year (produced by Daywave) and she is announcing east and west coast fall and winter tour dates.&nbsp;Margaux (born Margaux Bouchegnies) is a singer-songwriter based in Brooklyn, NY. Born to a French father and an American mother, Margaux grew up in Seattle. She picked up guitar first, then upright bass, and began writing songs inspired by Motown, Pixies, and Dirty Projectors. Bass in hand, she moved across the country to study jazz at the New School in Manhattan. Bouchegnies later

Jessica Lea Mayfield

Black Midi frontman Geordie Greep brings his fresh new project tio Stone Church!

Geordie Greep

Join us for a celebration of Bob Marley’s birthday with Hannah’s Field &amp; Sticky Greens

Dead Meets Marley 

Sam Amidon returns for a very special hometown show in support of his brilliant new album Salt River!

Sam Amidon

The Suitcase Junket w/ Special Guest Cloudbelly

Dust off your hats and boots, Luke Combs UK (the worlds leading tribute to Luke Combs and is endorsed by the man himself) is coming to town for an unforgettable night of country music with his full band.Luke Combs UK is the closest you’ll get to the real deal with the look and authentic sound of the GRAMMY nominated country music megastar.Screamin’ Rebel Angels’ unrelenting and hi-octane original music reimagines the legacy of rock ‘n roll,rockabilly, and rhythm ‘n blues into a contemporary sound. Their thrilling live performances are packedwith primal passion and authenticity. The sound is unapologetically their own, and they take their audiences on an exhilarating adventure into an untamed world of dangerous women, broken hearts, courage and conviction

Luke Combs UK

JP Harris was born shortly, and fortunately, a few minutes before Valentine’s Day 1983 in Montgomery, Alabama. Within a handful of years he was wearing a green velour tracksuit and leading a large Doberman around for street credibility, at the young age of three. He had a charm and strut that would take him far, so the grown folks said; but roughly a decade later, on the opposite side of the country, he would leave his family’s home late one summer night with no designs on fame, fortune, or clothing endorsements, never to return.&nbsp;He had an inkling that the eighth grade was enough education for where he was headed, and set a course for Anywhere, USA.Turns out he was right.

JP Harris w/s/g The DiTrani Brothers

Apes of the State is an independent folk punk band from Lancaster, PA. As a band, they are driven by DIY ethics with a goal of helping as many people as possible with their music. Their upbeat, mandolin driven songs encompass the full range of human emotion and cover topics such as love, heartbreak, student loan debt, regret, and overcoming addiction. Their most recent release, “They Can’t Kill Us All (2023)” is a 7” split record with Washington band Sister Wife Sex Strike. It leaves no room for questioning the band’s political message and evolution in sound while still sticking to their acoustic roots. RENT STRIKE is a call to action! Fiercely independent and pushing up against all bounds, their music is a wild dream, a spreading fire, an explosion in every direction, and a challenge to our notion of our time and of our place. Their new record NOW is a sieve for the dread of the present day, confronting the widespread alienation and disillusionment of late capital head-on to sift out the pieces of hope, resistance, and joy from the experiences within, and the possibilities without.&nbsp; Myles Bullen is a genre- fluid, art-poet, ukulele-playing punk rapper, from Portland, Maine. Myles has toured nearly every state in the US as well as many European countries performing packed shows at music venues, colleges, recovery centers, prisons, festivals, and libraries. As a person in long term recovery from addiction, Myles sings and screams songs about grief, mental health, addiction, navigating identity, relationships, and cartoon lore. They released their most recent album, timetokill, on indie record label, Fake Four Inc. They love doing shows and their dog Finn. ​

Apes of the State/Rent Strike/Myles Bullen

Born in 1953 in Detroit, Michigan, Marshall Crenshaw learned to tune a guitar correctly at age ten and has been trying ever since. His first big break came in 1978 playing John Lennon in “Beatlemania”, first as an understudy in New York, then in the West Coast company, followed by a national touring company. Removing himself from that situation in Feb. 1980, Marshall settled in New York City. Enthralled by the hyper-diverse musical culture of the City, and the local Rock scene in particular, Marshall formed a Rock and Roll band with brother Robert on drums and Chris Donato on bass.After crossing paths with the great and legendary Alan Betrock, Marshall recorded his debut single “Something’s Gonna Happen” for Betrock’s Shake Records label; at nearly the same time, legendary Rockabilly singer Robert Gordon’s recording of Marshall’s “Someday Someway” was released as a single on the RCA label. These two records simultaneously broke big on New York’s WNEW-FM, causing Marshall and his trio’s local popularity to explode.And so began a career that’s spanned four decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in “La Bamba”) and thousands of live performances. Marshall Crenshaw’s musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the devotion of a broad and loyal fan base.Presently, along with touring around the country and the occasional recording project, other current projects include producing a documentary film-in progress about legendary&nbsp;record producer Tom Wilson. Says Crenshaw, “This is a road that I’d never imagined taking before, but it’s been an incredible learning experience.” &nbsp;“Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself.” – Trouser PressJames Mastro&nbsp;- guitarist, multi-instrumentalist,&nbsp;producer and singer-songwriter extraordinaire -&nbsp;has toured the world dozens of&nbsp;times over as a supportive musician with some of the biggest and most critically acclaimed rock&nbsp;and pop&nbsp;artists ever to grace a stage including&nbsp;Ian Hunter, Patti Smith,&nbsp;John Cale,&nbsp;The Jayhawks,&nbsp;Alejandro Escovedo,&nbsp;Garland Jeffreys,&nbsp;Jesse Malin,&nbsp;and with&nbsp;Robert Plant&nbsp;as his musical director for a benefit concert for an artist they both admired immensely,&nbsp;Love’s Arthur Lee.&nbsp;From The Beacon Theater to the Shepherd's Bush Empire (UK),&nbsp;Mastro has roused crowds&nbsp;with&nbsp;brilliant performances channeling the sonic inventiveness of David Bowie and the tastefulness of Mick Ronson.&nbsp;Discussing his new album for&nbsp;&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.mpressrecords.com/">MPress Records</a>,&nbsp;Dawn of a New Error,&nbsp;the&nbsp;Americana-rock singer/songwriter, guitarist and producer reveals:&nbsp;"As an underage kid, I used to do whatever it took to see the bands I loved: wait in line for hours for tickets, or sneak into clubs and push my way to the front of the stage.&nbsp;&nbsp;Now, as an overaged kid, I’ve had the best seat in the house playing guitar onstage with many of those same artists that inspired me to do what I’ve been doing all these years. And I still feel like I’m sneaking in!”&nbsp;&nbsp;

Marshall Crenshaw w/s/g James Mastro

It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.

Sarah Shook & The Disarmers

The Big Takeover band delivers a fresh take on Reggae, Rocksteady, Ska, and Soul. Blending the pop sounds of Jamaica with the soulful energy of Motown, this band is one tight, grooving ensemble. Feel the electricity of the live-wire singing and deceptively subtle songwriting of the powerhouse performer NeeNee Rushie. Groove to the explosive rhythms, and get swept away by the sweet sounds of the horns. This band is guaranteed to make you dance.The Brighton Beat is a unique and engaging spectacle, whose influences range from Afrobeat pioneer Fela Kuti, to modern cutting-edge NYC Jazz with a heavy helping of classic New Orleans brass band Funk. Performing up and down the East coast since 2010, the band has developed a style of performance that is incredibly uplifting and infectiously danceable - a trademark of The Brighton Beat sound. Faculty of Berklee, New England Conservatory, NYU, Broadway pit musicians, top call session players, and world touring musicians, call The Brighton Beat their own, and their home. Their shows often include guest vocalists, audience participation, group sing-a-longs and even the occasional circus act! The band's passion for music and family-friendly entertainment is paramount, with each performance being a unique, shared experience that showcases the pure unbridled joy the band has playing together, and invites new listeners to join this heartwarming family.

The Big Takeover/The Brighton Beat

We’re also hosting an Election Night Party!&nbsp;Please join us at the Stone Church with special guest, Becca Balint. Come celebrate, worry, talk, play, dance, and be together after the polls close.&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.mobilize.us/vtdems/event/722082/">Please register here</a>&nbsp;if you would like to attend, no charge, but its helpful (and safer) for us to know who is coming. Between now and November 5th, please get involved, reach out, volunteer, talk to your neighbors. Don’t give in to hottakes or polling– participate!&nbsp;

PollStars Election Night Party

BrattRock Returns!FeaturingEMILY MARGARET BAND GODZILLA WITH A GUN THE JACKETS MAEZ TECHNICOLOUR LTD. NATE POTTER BIG DOG SILAS KLEPPINGER LEYETI WARD SOPHIA BAKER HALF GIRAFFE FOOL'S HANDSHAKE

BrattRock

Stimulation is easy to come by these days. Streaming platforms and social media offer us endless fleeting moments of diversion that keep what we call the “pleasure zones” of our brains lit up morning till night. But for such a supposedly hedonistic time, real pleasure—the kind that feeds our soul rather than draining it, that makes us feel good instead of just distracting us from the fact that we feel bad—is in shockingly short supply.&nbsp;&nbsp;&nbsp; The second LP by Brattleboro, Vermont’s THUS LOVE is full of that kind of nourishing euphoria. It swoons, shakes, and swaggers with a combination of grit and sensuality that’s been hard to locate in music lately. It fills your brain with barbed melodic hooks that once they sink in don’t budge. It punches at the clouds and makes you want to do the same. It’s called, fittingly, All Pleasure. The album came out of a period of dizzying growth and transformation for the group. When they began work on it, vocalist/guitarist Echo Mars and drummer Lu Racine were still reeling from the runaway success of their 2022 debut full-length, Memorial—a set of lush, elegant post-punk that brought praise from The FADER, the NME, and the Guardian, plus a leap from quiet Brattleboro to stages across the US and UK—along with processing the departure of founding bassist Nathaniel van Osdol. Meanwhile, new bassist Ally Juleen and guitarist/keyboardist Shane Blank, longtime musical partners, had uprooted their lives to relocate to small-town Vermont and join a band that was a month away from recording the follow-up to a cultishly adored album. “We were all coming together to make this new thing and take a new step,” Mars says. “We've all been making music for a while, and we’ve all been confronted with aspects of it that are grueling and not pleasurable.” When the group convened in a barn in the woods that Mars had transformed into a recording studio the band calls her “Hobbit Hole,” they kept one simple rule at the forefront: “If it's not joyful,” says Mars, “don't do it.” What emerged from that simple mission is a stunningly gorgeous album, full of big, arcing melodies and a whole range of kinky stylistic twists that will surprise listeners who know the group just for their first album’s chorus-drenched 80s-style psychedelia. “Birthday Song” gives grungy glam rock with a stride that’s new for the band, but fits them perfectly, via a transcendent hook that underlines Echo’s lyrical tribute to communal joy. “Get Stable” transmutes existential panic—“I can’t get stable / Is that what I’m afraid of?”–into sharp-angled punk pop. The anthemic title track—the last song written for the album, and the first to be written by the entire quartet—is something like the album’s mission statement, with Echo and Ally splitting vocal duties as they pay tribute to the power of joyful creation: “I ain’t high but I feel good,” Echo sings, “Like a drug but I don’t come down.”&nbsp; Mixed by Matthew Hall and Rich Costey (on “Birthday Song”, “All Pleasure”, and “Get Stable”) and mastered by Bob Weston,All Pleasurewas recorded as live as possible, with a bare minimum of overdubs, capturing the sheer infectious ecstasy that comes from a group of people sharing space together, making a divine racket. On top of being just a great album, it’s also a persuasive argument for ditching the algorithm, going off the grid, and finding a barn to hole up in with some friends and a bunch of instruments. On “House on the Hill,” Echo sneeringly sums up the empty feeling of living for nothing but likes: “Anything for convenience / anything for the gram,” she sings. “It feels like we’re never gonna get out of here.” Put on All Pleasure, tap into the energy and the message that THUS LOVE is putting out, and you just might find an escape.

Thus Love

Halloween Night! Guerilla Toss Rough Francis Aspero Siacos Tickets On Sale Friday!&lt;iframe width="560" height="315" src="<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/embed/L6bVTPMpBEk?si=U11bu19KlsC0VLSk">https://www.youtube.com/embed/L6bVTPMpBEk?si=U11bu19KlsC0VLSk</a>" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen&gt;&lt;/iframe&gt;

Guerilla Toss/Rough Francis/Aspero Siacos

Session Americana has been accessing the joy for 20 years. A group of musiciansmusicians, the band deftly creates a unique live experience that celebrates the joy ofthe music and of each other. Looking back, the group has a natural, almost inevitableevolution from a loose bunch of friends sitting around swapping songs in a bar, to a hotticket weekly residency, to a touring collective. Along the way, they have made 10records, played clubs and festivals across the US and Europe, and developed somedeep collaborative bonds with a wide community of musicians. Their diligent avoidanceof music business “shoulds” have led them down a quirky and joyful path through themusic world and the result is evident in the musical prowess they bring to every show.Swapping instruments, lead vocals and their original songs, Session Americana isconstantly exploring new collaborations and touring like a band out of time, stillsearching for a welcoming and homey venue, a long lunch with old friends and a goodglass of wine.After completing a five week tour together earlier this year throughout Ireland andEurope the band will continue to be joined by singer-songwriter, guitarist and fiddleplayer Eleanor Buckland playing in the band. Eleanor made her start as one-third ofLula Wiles, the Boston-based folk-rock trio that became an acoustic music scenefavorite with their three critically hailed albums. Now living in Durham NC, the singersongwriter has turned to a different side of her musical interests as a solo artist.Buckland’s debut album You Don’t Have To Know (released October 2021 on SoundlyMusic) sets her deeply personal songs against inventive indie rock arrangements."I’m lucky to have known Session Americana for most of their twenty (!!!) years! I wasjust starting out as a songwriter when I discovered their residency shows at the LizardLounge in Cambridge. Pure magic. I’m misty-eyed now thinking about it! I had neverseen a band enjoying themselves that much, and everyone in the room was in on it, thisraucous and holy thing. I took a "note to self” that I’ve tried to recall many times whenmusic felt hard. Like, the job is simple— access the joy— and if you can do that, itopens a portal. I got to guest sing with Session a few times, witness their sustainedmutual love affair with my home state of Vermont, and even help out in the making ofone of their incredible albums. I’m ever in awe of Session, individually and as a band.They’re so finely in tune with each other, with their audiences. I’m in awe of their bond,their easy laughter, their intuitive musical conversation that has now gained the richnessof decades” — ANAÏS MITCHELL (Vermont-based singer-songwriter and the Tony andGrammy award-winning creator of the Broadway musical Hadestown)"We in Boston are extremely fortunate to have a continuum of excellent musicians thatstretches decades before our time and will, we hope, flow on into the future. SessionAmericana are among the cream of the crop. The fact that the core of this loosecollective formed 20 years ago(!), already as veterans of our city’s rich music history...[shows] their staying power speaks to not only their dedication to each other, but to thelife-affirming power of the music, and to the community that has been built up aroundthem.“ — Bill Janovitz is the New York Times Bestselling author and member ofBoston’s own Buffalo Tom

SESSION AMERICANA with Eleanor Buckland

Dawn of the EDDHalloween madness with VT’s psychedelic progsters The EDD with The Trichomes &amp; Jime Time.Costume ContestSpooky Halloween Cocktails

Dawn of The EDD

It's many queers' favorite time of year. Dress up in your spooky, neon, glowing finest for this Halloween's Glow in the Dark Party! 9p Doors | 10p Cabaret | Dance till 1aDJ LeFoxCabaret hosted by Patty Cake with performances by local drag and burlesque artists!$$$ Bring your dollars to tip performers and bartenders $$$This event is for Queers and Allies that are 18+Sliding Scale $10-25 notaflof

QDP- Glow In The Dark Party

Saving ViceFight From WithinIn ShallowsKenedy ParkYourArmsAreMyLegs$20 adv/$25 dos6:30 doors7:00 show

Saving Vice

Greet Death is a shoegaze, grunge, and slowcore band from Flint, Michigan that mixes rich textures with introspective lyrics to create a dynamic contrast of melodies and rhythms

Greet Death

Rocktober rolls on with an extra special appearance by local rock star King Tuff accompanied by the one &amp; only Chris Wiesman. The sublime Ruth Garbus Trio will open the night!

King Tuff (soloish) w/ Ruth Garbus Trio

Parker Millsap quickly made a name for himself with his captivating live performances, soulful sound, and character-driven narratives. He’s had a string of successes including an appearance on CONAN, a performance with Elton John at the Apple Music Festival, an Austin City Limits taping &amp; an Americana Music Association nomination for Album of the Year. He's shared the stage with folks like Jason Isbell, Shovels &amp; Rope, Patty Griffin, Houndmouth, and many others.Parker’s early releases showcased a mastery of acoustic folk rock, with their flourish for revelation and fiery dynamics. Be Here Instead, Millsap’s 2021 release produced by John Agnello, hinted at the wildness to come while exploring newer, more personal songwriting styles. Parker's newest album, Wilderness Within You, is a natural step in Parker's evolution which interweaves threads of his musical past and newer influences to gorgeous effect. A poet with a staggering and true voice, Korean-American troubadour Nat Myers' folksy blues and remarkable pickin' are authentic, timeless, and enduring. The Kenton County, KY native's delivery harkens to traditional blues giants, but it's his unique blend of modern roots and Americana that continues to make crowds drop their jaws. Recorded live at the 100-year-old-plus home of producer Dan Auerbach, Yellow Peril is haunted with the ghosts of the rich history of the blues.

Parker Millsap & Nat Myers

SparkleTown IICelebrating the Music &amp; Spirit of Kate LorenzFeaturingSession AmericanaThe WinterpillsSuitcase JunketCaitlin CantyZak TrojanoThe Rear DefrostersBreak MaidsAdam KleinThe ConstellationsAnd more…

SparkleTown II

"A Band Of Brothers" isn't just an Allman Brothers tribute band; they're a powerhouse, uniting the top-tier talent of the East Coast. This collective, more than amere homage, harness the Allman Brothers tradition as a vehicle to bring a unique and exciting experience every night.The ensemble features artists from an array of bands including-North Mississippi Allstars , Pink Talking Fish, Neighbor, DubApocalypse, Peter Wolf's Midnight Travelers, Dickey Betts Great Southern, Slightly Stoopid, Sonya Rae Taylor, Band of Killers and more.

Band of Brothers 

Under the name Empress Of, Honduran-American songwriter, musician and producer Lorely Rodriguez creates introspective, self-empowering pop music centered around her impressive, acrobatic vocals. For Your Consideration, a follow-up to 2020’s I’m Your Empress Of and 2022’s Save Me EP, is a bi-lingual album that embraces camp and fantasy playing with the idea of Hollywood. The songs, which veer between English and Spanish, reflect on the transactional nature of love and sex, which is mirrored by the ephemeral sense of existence in the entertainment industry. Empress Of has collaborated with Top 40 pop artists and cultural icons such as Khalid, Blood Orange, Lewis OfMan, DJ legend Boyz Noise, ShyGirl and Salute.&nbsp; She's toured with the likes of Carly Rae Jepsen, Lizzo, Maggie Rogers, Rina Sawayama and wowed audiences at festivals such as Outside Lands and Corona Capital.&nbsp; Her "For Your Consideration" headline tour begins in September of 2024.&nbsp;&nbsp;

Empress Of w/ Casey MQ

On the porch of her one-time Nashville home, Liz Cooper had a multimedia project that combined two of her loves: lips and cigarettes. She painted her own lips with red paint and kissed a canvas two or three hundred times, later dotting them with the detritus left behind in ashtrays by her friends. An overlap of intimacy, indulgence, cheekiness, and sensuality, the piece complements Cooper's roiling second record, Hot Sass. Over jagged, frenetic guitar parts, Cooper sets expectations aflame with the record's title track. Her songs unfurl like smoke spiraling off an incense cone late in the afternoon, with Cooper pushing deeper into psychedelic openness, punk ferocity, and beyond.On new album Longest Day of the Year, Dari Bay is a perpetually shifting art project posing as songs, an ongoing thought experiment disguised as a band. Burlington, Vermont-based artist Zachary James launched Dari Bay as a solo vehicle in 2015, acting as sole songwriter, producer, player of every instrument, and exacting architect of how each sound was placed. Early output was raw and often unhinged, but Longest Day of the Year finds Dari Bay assuming a new form as James folds his experimental spirit into what at first appear to be neutral, unassuming tunes.When Nashville based singer/songwriter Mark Sloan records albums, he takes the word “solo” seriously…and literally. He’s a true Renaissance man, one who plays every instrument, pens the tunes, produces/engineers the proceedings and releases the results on his own imprint. Call him a one man band or the definitive do-it-yourselfer but Sloan—who goes by the barely concealed pseudonym of Slark Moan—gives new meaning to the concept of indie. He’s truly independent of many pressures generated by the music machine that other, often lesser talented artists, are subject to. All of which explains why the uniquely titled Superstition for the Consumer Romantic, his sophomore full length, took about a year and a half to craft.

Liz Cooper/Dari Bay

The Pentagram String Band are a satanic bluegrass band from Kansas City Missouri. They are suspicious of traditional bluegrass and play a style of gothic folk, punk, and thrash metal. Often involving cannibalism and murder, their lyrics focus on themes of satan, misery and the joys of death.&nbsp;JD &amp; Six Feet Deep fresh tapped VT Hillbilly Honky Tonk

The Pentagram String Band/ JD & Six Feet Deep

On Songs From A Thousand Frames Of Mind, the kaleidoscopic full-length debut from Kate Bollinger, entire worlds lie in the small details. “When I’m recording a song,” the Charlottesville-born, Los Angeles-based songwriter observes, “my indication of whether it’s worth pursuing is if I’m seeing a movie in my head to go along with it.” Blending classic pop songcraft with scrappy punk instincts, Bollinger casts a collage-like vision that’s instantly memorable and uniquely mystifying. Ranging from homespun folk songs to warmly rendered psychedelic rock—like early Rolling Stones as fronted by Hope Sandoval—the resulting album can feel like flipping through your coolest friend’s record collection, finding a new favorite song with each discovery. In order to summon this majestic blend of styles, Bollinger spent years cultivating material, challenging herself to work with new collaborators while moving across the country from her native Virginia to California. Evolving the hermetic approach of her early EPs and solo performances, she arrived at a fuller sound based on intuitive responses and in-the-moment energy. “I came to this realization that most of my favorite music is the result of friends, or players who have known each other a long time, coming together and playing live in the room,” she observes. Armed with endless hooks and wildly shifting textures, Bollinger can seem as much like a songwriter as an art-house auteur, crafting the soundtrack and scenery for a non-existent movie. (Fittingly, Bollinger studied film in college, and she also directed the striking music video for Jessica Pratt’s recent single “World on a String.”) Several highlights from the record were co-written with Spacebomb Records mastermind Matthew E. White, such as the jangle-pop gem “Any Day Now” and the theatrical “I See It Now.” After months of writing in Richmond and Los Angeles, Bollinger traveled to upstate New York to record with producer Sam Evian (Big Thief, Blonde Redhead, Cass McCombs), with whom she developed a similar kinship. Alongside her longtime friend and drummer Jacob Grissom, she formed a group of tight-knit collaborators able to match her wide-ranging inspiration, spanning from ’60s icons like Françoise Hardy and the Velvet Underground to ’90s touchpoints like No Doubt and Pavement. "In some way, this album feels like my musical debut. I feel that I’ve finally been able to express all sides of myself in one record." For Bollinger, the connective tissue between this disparate material is often unspoken but always deeply felt. “Songwriting is kind of like dreaming,” she explains. “They both tend to reveal to me what I don't yet consciously know. I thought of the album title before most of the songs were written, but it became a self-fulfilling prophecy in a way that tends to happen in a lot of my music.” As a lyricist, Bollinger expresses herself through subtle imagery and surrealist stream-of-conscious narratives, allowing listeners to arrive at their own interpretation. When she touches on the rise and fall of romantic relationships, there is an almost therapeutic quality to her writing. In the lilting, empathetic “To Your Own Devices,” she follows a sunswept melody to deliver a series of hushed, second-person observations: “Now you’re in a pinch/The mirror makes you flinch,” she sings. “And all this time, were you not making sense?” In the baroque swirl of opener “What’s This About (La La La La),” Bollinger and her band conjure a sense of cartoonish whimsy that places her in league with the mystical pop greats of the Elephant 6 Collective, a scene whose idiosyncratic spin on the classic rock era helped inform the patchwork sprawl of her record. The cumulative effect reveals the vast range of Bollinger’s vision. “I like when something is a balance of opposites,” she notes, and her tender approach as a songwriter and bandleader makes these juxtapositions feel as natural as a singalong with friends. The haunting “Sweet Devil” smolders like a jazz standard as interpreted by Feist at her smokiest and most intimate; the dramatic outro of “I See It Now” has a romping energy that feels suited for a climactic showdown at a saloon; the breezily psychedelic “Postcard From A Cloud” plays like a dreamworld collaboration between Teenage Fanclub and Broadcast, finding the warm, melodic center of their Venn Diagram. Written during a period of transience and change, Songs From A Thousand Frames Of Mind was made to resemble a mixtape—something carefully crafted and delivered from just one person to another. In sharing this music with listeners, Bollinger took inspiration from her own formative encounters with art: quietly worshiping the early musical projects of her older brothers, attending local shows in Charlottesville and feeling empowered to write songs of her own, inheriting burned CDs from older classmates and finding a portal to another world. (Working with her friends Emma Collins and Evangeline Neuhart on the visual accompaniment, Bollinger assures the entire project feels equally communal and intuitive.) Sublimating a lifetime’s worth of musical connections into a concise 11 songs, Songs From A Thousand Frames Of Mind captures a rare sense of purpose and ambition for a debut record, managing to feel cozily familiar while still packed full of surprises. And in her gently playful and emotionally resonant performances, Bollinger sounds as enraptured by the mystery as anyone.&nbsp;

Kate Bollinger

Oh He Dead is a five-piece indie soul band from Washington, DC that blends R&amp;B, folk, and rock influences with lyrics that are both poignant and soulful. The band is known for their infectious joy and energetic live shows, and some say their sound is "groovy" and "sublime".

Oh He Dead

Generally associated with hallucinations and dead rats, singer-songwriter and pianist Will Woodhas been described as something of a recluse, quote "because I told my publicist to." Wood'sdramatic songwriting is characterized by a sense of humor that whiplashes between too dry todetect and aggressively absurd, as well as a combination of both intensely emotional andsurrealist lyricism, and his solo performances follow suit. His work has only increased inpopularity since beginning a hiatus after the release of his "musical suicide note" In Case I MakeIt, and the Slouching Towards Bethlehem tour is his first time playing live in two years. WillWood lives in New Jersey, likes to read, and has three pet rats, named "Snooter Man," "MisterBubbles," and "Bastard."

Will Wood Slouching Towards Bethlehem! Tour

"One of my biggest inspirations, Kobe Bryant, used to say don't be bitter, be better,” says Andy Frasco. "So, I've always tried to be better every year. I'm not trying to stay still, I want to get better at every-thing in life. I'm not just plateauing. I'm going to keep fighting to be the best songwriter I can be. Because if you're not evolving, you're dying."Andy Frasco &amp; The U.N. have long been the high-flying DIY renegades of the touring scene known and loved for their kaleidoscopic musical fusion, one-of-a-kind onstage audacity, and contagious party-animal energy.&nbsp; The band’s recent full length LP ‘L’Optimist’ celebrates their longevity, while giving way to a wiser, but no less enthusiastic, artist and band leader who isn’t afraid to lean into the introspective and explore more difficult terrain, lyrically and emotionally.&nbsp; “With so much bad news in the world, why not try to figure out a way to get out of the darkness,” Frasco says. “We’re not going to be able to change the world, but we can at least help the process along by being optimistic that the future will turn itself around. And if everyone changes their mind state about the future, then maybe we can change the world.”Never one to sit on his laurels, the pandemic pushed Frasco into expansion, transforming his high energy roadshow into a blitz of new music, a 33 episode variety show (Andy Frasco’s World Saving ShitShow) which garnered 20 millions views, a highly attended digital Dance Party, and further development of his already successful and compelling podcast, Andy Frasco’s World Saving Podcast.&nbsp; His variety show and podcast has featured interviews and musical performances by many notable guests such as Tony Hawk, Billy Strings, GRiZ, Bert Kreischer, Margaret Cho, Nathaniel Rateliff, Kamasi Washington and more.Frasco continues to grow as a songwriter, band leader, and human being, steadfastly determined to keep on keeping on, pushing himself and his music to improve with every passing day.&nbsp; Don’t miss out on the party → <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.andyfrasco.com/">https://www.andyfrasco.com/</a>Hayley pulls inspiration from a variety of styles, including 60s + 70s rock + pop, musical theater, folk, blues, soul, psychedelic, funk + bluegrass.&nbsp; Just as varied, are the many ways she can captivate an audience.&nbsp; Whether the concentrated potency of her solo acoustic performance, the explosive energy + movement of her full band shows, or one of her theatrical performances, she always brings the charisma, humor + passion to move an audience.&nbsp;&nbsp;Her music has been praised by a&nbsp; wide range of musicians, producers + music lovers alike, for successfully combining a diverse sound with clever, over-the-top lyrics + Vaudevillian-style storytelling. &nbsp; Hayley reawakens her audiences to the wild parts of themselves, great medicine for these modern times.

Andy Frasco & The UN

Some endings have clarity. You graduate. You breakup. You leave a job. You board a flight. Others are harder to define. The boundaries of a particular period are amorphous and resist delineation.&nbsp;The Ending Of An Age, the debut album of Austin-based Holy Wire, pieces together such an era through fact and fiction. Through fuzzy synth hooks, glassy guitar tones, and self-conscious crooning, Holy Wire takes inventory of a personal history, drawing up a map of an era of life and negotiating with all the starts and ends therein.&nbsp;Holy Wire is the project of Alain Paradis. Towards the end of the pandemic, Paradis relocated from Brooklyn to Austin, going through a break-up and giving up drinking within the first month. Alone and sober without friends, family, or community, in an unfamiliar city barely beginning to emerge from lockdown, Paradis’ songwriting turned towards reflection, spurred by the process of grieving a life he left behind.&nbsp;At its least auto-biographical, The Ending Of An Age‘s titular track describes fear fantasies of love during a planetary crisis, where the era of human dominion comes to a close. But elsewhere, in tracks like Other Lives and Twenty Six, it’s a farewell to the golden age of youth and all its faded potential. In songs like Worse For Wear and A War I Never Win, it’s a rumination on love in the past, and an acceptance of its lasting imprint on the present.&nbsp;The production is high-energy, relying on propulsive drum machines and swaggering post-punk basslines to cut through the tide of melancholy. Frenetic sequencers weave throughout, recalling Vince Clarke-via-LCD Soundsystem. Lyrically, The Ending Of An Age favors earnest sentiment over irony, but delivers a wink and a nod by pitting its somber lyrics against danceable synth-pop.&nbsp;Holy Wire joins a small but growing local scene for synth music in Austin, playing alongside local breakout acts Urban Heat and Haunt Me, and fitting more broadly into the ranks of modern bands excavating the recesses of 80s post-punk and cold-wave to create their own vehicles for expression; bands like Black Marble, Teleman, Automatic, Nation Of Language, and late-night TV titans Future Islands. In less than a year performing, Holy Wire has shared the stage with The KVB and New York minimal wave act Xeno And Oaklander. The Ending of an Age was released on June 5, 2024. Holy Wire can currently be found playing shows in Austin and expanding their radius of touring outside of Texas.Dutch Experts was born out of the Covid Pandemic amidst the crumbling of societal infrastructure. This destruction mirrored singer/songwriter Hannah Hoffman’s own experiences during lockdown. Turning one of her lowest and most challenging points into a revisitation of her approach to sound, Hoffman began experimenting with layering synths and electronic drum beats in Garageband, creating a sonic landscape that bore the fruits of Dutch Experts and the creation of a debut EP, ‘Bound by This’. Inspired by her personal challenges, the gothic landscape of The Cure, and melodic choices informed by Kate Bush and Cocteau Twins, Hoffman locked into a sound that became uniquely modern yet captured an 80s sonic sensibility: synth pop with a darkwave edge. Recorded, mixed &amp; mastered by Mikey Allred (All Them Witches, Inter Arma), Dutch Experts' debut EP, 'Bound By This' released on February 24, 2023, available both digitally and on vinyl.

Holy Wire/Dutch Experts

Echoes of Floyd is a professional Pink Floyd tribute act that specializes in the accurate reproduction of the band’s legendary sound. Meticulous in detail, EoF faithfully reproduces the iconic songs and albums from Floyd’s vast catalog.

Echoes of Floyd

HARVEST THE WIND TOUR 2024 "In the heart of autumn, as leaves turn fiery shades of red and gold, Bearly Dead embarks on a massive tour across the country. 'Harvest the Wind,' has become a mantra of seizing the moment and embracing the ever-changing currents of life. Every performance celebrates the energy shared between us all so bring your dancing shoes and join us!"Doors 7:30pm Show 8:30pm $20adv/$25dos All AgesBEARLY DEADNot just another Grateful Dead cover band. A cosmic exploration of the Grateful Dead catalog! Bearly Dead, Boston-based quintet, performs a concert-style show that celebrates the journey of the Grateful Dead from their earliest records until their final tours. The band delivers a full-spectrum concert experience filled with danceable energy and world-class musicianship. Each and every Grateful Dead member is honored through a collection of classics, b-sides, deep cuts, and exploratory jams. Holding true to the spirit of the music, Bearly Dead frequently adds to their 250+ song catalog and continues to showcase authentic, spontaneous improvisation – live and in-person – making each show a wildly unique Grateful Dead experience you do not want to miss!Art by Joe Winograd

Bearly Dead

Songwriters and multi-instrumentalists Molly Parden, Eliza Edens, and Louisa Stancioff areteaming up to bring a tour de force of alternative folk to listening rooms across the country.Stancioff, a recent signee of North Carolina-based label YepRoc Records, will have her buoyantrock songs in tow that mythologize her rural Maine upbringing. Molly Parden, also a touringmember of Darlingside, writes kaleidoscopic folk-pop songs that peruse heartache to findglimpses of hope. Brooklyn-based Eliza Edens rounds out the line-up with a glowing collectionof songs that transform despair into opportunity. The trio will be accompanying each other onguitar, bass, fiddle, and backing vocals to conjure up a mesmerizing evening ofmasterfully-crafted art-folk.<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.mollyparden.com">www.mollyparden.com</a><a target="_blank" rel="noopener noreferrer nofollow" href="http://www.eliza-edens.com">www.eliza-edens.com</a><a target="_blank" rel="noopener noreferrer nofollow" href="http://www.louisastancioff.net">www.louisastancioff.net</a>

Molly Parden x Louisa Stancioff x Eliza Edens

Six Gun Sal is a Southern rock band that rivals the epic original greats from the 1970s while bringing their own modern soulful mix of rock to the stage. Formed in 2015, the band has played sold out shows throughout the United States and recorded two full length albums writing and recording all their own music, as well as recording their version of the legendary song “Hair of the Dog” with famed Platinum producer Timothy Eaton. Six Gun Sal is what Guns and Roses, The Allman Brothers, and Lynyrd Skynyrd would have if these bands had a love child! Six Gun Sal is one of the next up and coming kick-ass soon-to-be iconic rock bands with the talent to write epic anthems that make men go to battle and love ballads that cause woman to fall in love. Highwire Daze Magazine reviewed a recent performance at L.A.'s famous Whisky A Go Go and said, “Six Gun Sal IS the future of Southern rock.” With lead vocals being compared to Ronnie Van Zant, guitar shreds, and drums for days, it's no wonder in 2023 artist and music platform ReverbNation ranked the band #1 on their local and regional charts, and #10 nationally. This is a band you want to know!

Six Gun Sal

There’s a reason why Ricky Skaggs pulled Eric and Leigh Gibson off the stage atthe Ryman two decades ago and offered to produce their debut record.The same thingthat led David Ferguson and GrammyAward winning producer and Black Keys frontmanDanAuerbach to co-write and produce their 14th album “Mockingbird” (2018) andrelease it on his own label Easy Eye Sound alongside cultural icons such asHankWilliams Jr. and Dr. John:the Gibson Brothers are the real deal.They can pick.Theycan sing.And they can write a damn good country song. They’ve won about everybluegrass award you can name and released albums on almost everypremierAmericana label you can think of including Sugar Hill and Rounder, and, if that’snot enough, their songs have been recorded by bluegrass legends no less than DelMcCoury. It’s a resume almost anybody in country music would be proud to have. Butdespite all of this, the GibsonBrothers are not yet household names.Their latest album,“Darkest Hour,” produced by dobro master Jerry Douglas might just change that.As soon as you hear Leigh singing withAlison Krauss [“I FeelTheSameWayAsYou”] on the new project you realize that his voice is as good as anyone inmusic today.Add the brother harmony to that and they have something trulyunique.While “Mockingbird” featured gorgeous production, recreating the sound onstage was difficult. “We put together a little band to go out and try to recreate it,” Erictold me, but we couldn't.We would have to have such a huge band to try to recreate thatrecord, but we did the best we could.”Douglas—who has won 14 Grammy awards and backed up everyone from RayCharles to PaulSimon and George Jones—wanted to make a record they could actuallyplay on the road. So he picked the best songs (out of dozens) and squirreled them awayin Sound Emporium’s Studio B.But then the pandemic hit. “We did our last shows inMarch of 2020,” Eric told me. “We were inNashville the week everything was shuttingdown. It was surreal, but Jerry was like, ‘Guys, the world's going crazy. Let's let this beour little cocoon.’And we did.We cut all of the acoustic stuff and then went home anddidn't play any more gigs until things started opening.Then we went back and finishedthe record with Jerry in February of 2021.”The result is arguably the strongest record The Gibson Brothers have evermade.The songs recorded in the first recording period featured Mike Barber (bass),Justin Moses (mandolin),Eamon McGloughlin (fiddle), and of course, Jerry Douglas,adding in John Gardner (drums), Guthrie Trapp (electric guitar), andTodd Parks (bass)for the final tracks, “Darkest Hour”showcases just how easily Eric and Leigh move fromwhat DanAuerbach dubbed “country soul”(“I Go Driving”) to high octane bluegrass(“What a Difference A Day Makes” and “Dust”) with Douglas always keeping thespotlight on the songs themselves. “That’s what I love about those guys,” Douglas toldme, “they are just great songwriters.”Growing up on a dairy farm in northern NewYork and then traveling around theworld in a bluegrass band has given them a unique vantage point on life, and the songson “Darkest Hour”are a testament to that. “Jerry wanted to hear everything we’dwritten,” Eric told me, “so we just sent him songs: brand new songs, old songs, there'sstuff on that record 20 years old that we never recorded. We wanted to see what hewould do with us as singer-songwriters.We respect him that much. Some of my favoriterecords are Jerry Douglas produced records. He didn’t disappoint.”If the Gibson Brothers had stayed in Nashville in 1999 they might possibly beGrand Ole Opry members by now. At the very least they would be hit songwriters onMusic Row. But, just like their buddy Del McCoury, they chose family over success(McCoury was in his 50s when he moved to Nashville and didn't really see majorsuccess until he was approaching 60).All they need is someone to shine a light onthem.Their talent level is well-established, the only producers they have ever workedwith are Ricky Skaggs, DanAuerbach, David Ferguson andJerry Douglas. I dare say notmany musicians can stack up a list of producers that strong. For theGibson Brothersthough, they just want to keep writing, singing, and standing on a stage

The Gibson Brothers 

Glow Dance

One of the most talked-about folk bands of the 21st century, Talisk have been tearing apart stereotypes and redefining the genre for almost a decade. With over 15 million streams, 10,000 albums sold worldwide, and sold out shows across five continents - from Paris to New York, London to Tokyo, Glasgow to Vancouver - alongside headline appearances at festivals the world over, the Scottish trio have amassed a global, die-hard following. Wielding instruments that have rarely seen the likes of their music, Mohsen Amini (concertina), Benedict Morris (violin) and Charlie Galloway (guitar) have stacked up major awards for their explosively energetic sound - including five between BBC Radio 2 and BBC Radio Scotland, and two highly coveted BBC Alba Scots Trad Music Awards. At New Year 2022 they played BBC One’s Hogmanay show to a television audience in excess of one million, and - as the only folk act alongside pop headliners - quickly amassed a vast, mainstream audience that continues to propel the group to some of their largest live shows to date. Headlining Glasgow’s iconic Barrowland Ballroom in 2024 - during Europe’s largest winter festival, the legendary Celtic Connections - Talisk’s star remains firmly on a rapid ascent. Never afraid to push musical boundaries, or test the live production capabilities of just three people (yes, it’s all live), there’s captivating a crowd, and then there’s Talisk&nbsp;

Talisk

When Nashville-based singer-songwriter Mali Velasquez traded her Texas panhandle home for the verdant foothills of Tennessee, she did so with a newfound perspective that mirrored her environment, culminating in the lushly raw edge of her folk-rooted indie rock. Wistfully openhearted and incisive, Velasquez tips the fulcrum between reflection and remedy with melody-forward unction and lyrical tenderness. Her forthcoming debut, I’m Green, is a perennial introspection into the wild animal of young adulthood and the renewing realization that the person we’re most often seeking permission from, crucially, is ourselves.Bloomsday is the tender, cerebral project of the New York-based Iris James Garrison (they/them). The way they write songs sits somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they’re an ode to things that are good no matter how small. Bloomsday’s new record, Heart of the Artichoke (2024, Bayonet Records), is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure. Like their 2022 debut Place to Land, the work here is threaded with warmth; it’s simmering, crisp and deeply human, encapsulating the present moment.&nbsp; Since the project's inception in 2019, Bloomsday has toured the US extensively, including supporting Becca Mancari, Joe Vann, and Charlotte Cornfield, sets at Hopscotch Music Festival and SXSW, and playing with Courtney Barnett, Bonny Doon, Katie Kirby, Babehoven, Hovvdy, and others. Their music has been featured on NPR New Music Friday, Nylon, FLOOD, and Paste, among other publications. Their tracks have been placed on editorial playlists including Spotify’s Fresh Finds, Lorem, All New Indie, and more.&nbsp; CÉSAR ALVAREZ is a composer, lyricist, playwright, and performance maker. They create large experimental musicals as non-normative possibility spaces for embodiment, inter-dimensionality, socio-political transformation, kinship and coexistence. With a background as a jazz saxophonist, band leader and sound artist, César's work inhabits a space between the worlds of theater, music, performance art and social practice. César was a 2018-20 Princeton Arts Fellow, a recipient of The Jonathan Larson Award, The Kleban Prize in Musical Theatre for lyrics and a Guggenheim Fellowship in 2022.César is an Assistant Professor of Music at Dartmouth College.

Mali Velasquez/Bloomsday/César Alvarez

$20 in advance / $25 at the gate / Children under 12 free • Advance ticketing closes two hours before showtime.Cyro Baptista is a Brazilian born percussionist and composer whose vast talent and penchant for innovation brought him to be praised as one of the most respected musicians in the world.Cyro’s endless sonic curiosity and intense rhythmic led him to create several musical ensembles and record many albums of his own. He has also lent his sounds to several GRAMMY award-winning records and to over 300 CDs with many of the most beloved musicians in the world.Cyro’s credits read like a "Who’s Who" of modern music. His talent and versatility have led to associations with a wide range of leading jazz, rock, pop, classical, avant-garde and Brazilian artists. From Paul Simon to Yo-Yo-Ma, Herbie Hancock to Kathleen Battle, Trey Anastasio( from Phish) to John Zorn, Wynton Marsalis to Laurie Anderson, from the legendary Brazilians Milton Nascimento and Caetano Veloso to Sting – they all wanted Cyro’s magic touch on their recordings or live performances.Baptista leads four different ensembles with ten released albums under his name. He tours continuously throughout the world with them. He conducts master classes at major musical institutions, such as Juilliard School, Berklee College of Music, New York University, Mannes College of Music, The New School, Holy Cross University, New World Symphony Orchestra, University of Vermont, University of Buffalo, Kimmel Center Jazz Camp, and K-12 schools across the country.Baptista has a great interest in education and sharing his knowledge and experiences, especially to underserved factions of society through his “Sound of Community” initiative.The Bandwagon Summer Series is a family-friendly outdoor cultural performance series running from early May through mid-October. 20 performances ranging from a diverse group of musical styles, circus arts, dance, and theater will take place at ballfields, farms, and parks throughout Windham County. Kids under 12 always get in for free, and a dedicated play area will be available at all shows. Refreshments are sold onsite, including the return of the hugely popular Barr Hill cocktails. Bring a picnic and a blanket or fold-up chair to enjoy our concerts.

Cyro Baptista

Hotel Fiction is an indie rock band from Athens, Georgia comprised of Jade Long (vocals, keys),Jessica Thompson (vocals, lead guitar), Aaron Daugherty (lead guitar, synth), Aidan Hill (bass),and Gideon Johnston (drums). Their sound has often been described as genre-fluid, with indie,pop, folk, and rock influences.Jade and Jessica began writing, performing, and playing together in January 2019 whilestudents at UGA. In August of that year, Hotel Fiction released their debut single “AstronautKids” which received a warm welcome from the indie scene, and went on to amass over 2million global streams. The band released their debut album Soft Focus in 2021, followed bytheir EP Enjoy Your Stay in 2022. In 2023, they were a primary feature artist on flipturn’s single“Halfway (Acoustic)”, which has accumulated nearly 1 million streams.Their music has received recognition from EARMILK, Consequence of Sound, and Early Rising,and been placed on Spotify editorial lists New Noise, wanderlust, Fresh Finds, Acoustic Love,and Fresh Finds Rock: Best of 2022, and All New Rock.Hotel Fiction has spent the last 3 years heavily touring the US, both headlining and supportingartists like flipturn, The Beaches, SUSTO, Beach Fossils, Adam Melchor, WILLIS, and Sunroom.They played Sister Hazel’s Rock Boat in January 2024, alongside Young the Giant, The Struts,and more.In early 2024, the band supported The Brook &amp;amp; The Bluff on their headline tour. Thissummer, they will release their highly anticipated sophomore album, followed by a US headlinetour.Hannah Mohan (of And The Kids) is a critically acclaimed musician, as well as a massage therapist, herbalist, actress, visual artist and a lover of senior citizens, children and dogs. She believes that music is a tool of time and space travel as well as mental transmutation. She also believes in flowers.

Hotel Fiction/ Hannah Mohan/ LeFlic

Reverend Horton Heat returns to Stone Church for another night of epic psycho-billy debauchery!!!Big Sandy (Of Big Sandy &amp; The Fly-rite Boys) will make a special appearance to sit in with the Reverend &amp; his band!!Jittery Jack hails from Boston MA, USA and plays a wild brand of Rock 'n' Roll &amp; Rockabilly with an East-Coast Bang! Fast becoming a household name on the roots/rockabilly circuit worldwide headlining festivals such as Viva Las Vegas &amp; UK's The Rockabilly Rave.

REVEREND HORTON HEAT w/Big Sandy + Jittery Jack

Kimya Dawson is a celebrated writer and singer of songs and an all-purpose force for good in the world. First making her artistic mark as half of the antifolk duo the Moldy Peaches, Kimya&nbsp;soon turned to solo work, where the twisted punchline poetry of the Peaches was deployed in the service of Dawson's gem-like personal narratives, creating such singular works as&nbsp;I’m Sorry That Sometimes I’m Mean&nbsp;(2002),&nbsp;My Cute Fiend Sweet Princess&nbsp;(2004),&nbsp;Hidden Vagenda(2004),&nbsp;Remember That I Love You&nbsp;(2006), and&nbsp;Thunder Thighs&nbsp;(2011), and earning her a 2009 Grammy for her work on the soundtrack for the film&nbsp;Juno.<h4>Sweet Petunia, composed of Mairead Guy and Maddy Simpson, are an alt folk duo based in Boston. Over the years, the duo have grown into their own as both powerful songwriters and harmonizers as well as lightning quick players, beginning every set with explosive double banjo action. Unapologetically queer and unafraid to get loud and angry, they craft music that is informed just as much by their contemporaries in Boston’s punk &amp; DIY scene as it is steeped in rich folk tradition.</h4>WHEELZIE -(the artist previously known as amelia chalfant)is who you've been waiting for. with honest songwriting, intricate yet captivating basslines, a gracious and moving stage presence, and the best shoes you've ever seen, WHEELZIE is guaranteed to make you feel everything.Per Artist Request Masks Are Encouraged, &amp; Will Be Provided If Needed

Kimya Dawson/Sweet Petunia/Beetsblog/Wheelzie

Few artists embody the spirit of creative exploration as seamlessly as Pennsylvania-based multi-instrumentalist Hunter Root. His journey is a tale of passion and resilience, and his success is a testament to his intuition and his unique musical vision.Raised in an environment steeped in classic rock, Hunter's musical foundation was built alongside his older brother who introduced him to guitar, and opened his eyes to the power of songwriting. As a founding member of the psychedelic rock outfit Medusa's Disco, Hunter honed his skills on stage, and gained invaluable insight into the labyrinthine workings of the music industry.Embracing a genre-fluid approach, Hunter's music weaves together elements of acoustic rock, folk, grunge, and more. His approach to songwriting has evolved over the years, shifting from a lyric-centric process to a music-first methodology. This shift has allowed Hunter to match emotive soundscapes with the narrative potency of his songs, yielding compositions rich in both meaning and emotion. He employs a similarly immersive approach to music production. He writes, records, mixes, and produces all his albums, an uncompromising process that is both demanding and gratifying.Hunter's personal experiences heavily influence his music. His acclaimed 2023 album, 'Arkansas,' was created as a tribute following the passing of his older brother in 2020, beautifully encapsulating his introspection. Despite calling Central Pennsylvania home, the four years he spent in Arkansas during his youth had a profound impact on his artistry. Consequently, each song is a deeply personal narrative, an homage to the sights, sounds, aches, and scars found there.Hunter's music achieved viral success through TikTok and Instagram, where his songs 'Town Rat Heathen' and 'Quicksand Sinking' struck a chord with users worldwide. He swiftly accumulated hundreds of thousands of followers across both platforms, inevitably driving traffic to Spotify, where his singles have garnered millions of plays.2024 will see Hunter continue to build on his momentum, as he plans an extensive series of tour dates accompanied by his live band. For more information, please visit <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.hunterroot.com/">www.hunterroot.com</a>.

Hunter Root/Saints & Liars

It’s somewhat boggling to think of Jerry Garcia and Jimmy Page swapping riffs – the beatific Buddha and the slashing, edgy Page.&nbsp; But as veteran player of Grateful Dead music Waynard Scheller noticed one night, the chords of the Dead anthem “St. Stephen” merged seamlessly into “Whole Lotta Love.”&nbsp; Then he sat down and found lots of pairs of songs that fit together.&nbsp; And thus was born “Dead-Zep,” a new band formed from his Rainbow Full of Love to mash up the two repertoires.They not only flow from Zep to Dead and back again, they play Zep songs like the GD and Dead songs the way Zep would…which makes for a fascinating, sometimes shocking evening.&nbsp; Hearing “Ramble On” suddenly dissolve into “St. Stephen” can be amazing to the point of a slight and interesting sense of disorientation.&nbsp; It’s a wide, wide world. &nbsp;Waynard has been touring up and down the East Coast for years, delighting Dead Heads and other listeners.&nbsp; He founded Dead-Zep with a rotating cast in 2018, and then ran into the pandemic.&nbsp; Now that things are a little healthier…it’s time for Dead-Zep to step out onstage. &nbsp;It’s time now for something (almost) completely different!-D. McNally&nbsp;

Dead-Zep

DEATHCHANT are a Los Angeles based four piece band formed in 2018 blending raucous rock and roll and nwobhm with a heavy nod to the golden era of guitar harmonies and Marshall full stacks. Frontmen and dual lead guitarists T.J. Lemieux (Psychedelic Speed Freaks, Child, Babylon) &amp; DougStuckey (Banquet) shift from interwoven melodic runs to noise drenched sonic raids with an energy that notoriously sticks with fans long after shows end. Complimented and grounded by a full guns blazing, thunderous and unrelenting rhythm section made up of drummer Joe Herzog (Forest Lawn, RattBlack) and bassist George Camacho (Child, Babylon), their wild live performances are nothing short of a full body experience.

Deathchant/Hobo Wizzard/Draio Doir

Everything Is Alive, Darlingside’s fourth LP, marks a subtle but remarkable departure for the Boston-based quartet NPR once described as “exquisitely arranged, literary minded, baroque folk-pop.” While the album retains much of the lushness and sophistication of Extralife (2018) and Fish Pond Fish (2020), the band’s latest work decisively exposes and differentiates the individual voices of the four songwriters—a daring reinvention for a group known for ubiquitous vocal harmonies. Grappling with change both personal and universal, with quandaries domestic and existential, Everything Is Alive is an album about loss and the struggle for a semblance of redemption.&nbsp;<iframe-embed src="https://www.youtube.com/embed/I8sHrD48zPU?si=kdCWDv2031bNFVqP" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="true" referrerpolicy="strict-origin-when-cross-origin" height="315" width="560" style="" metaposition="flex-start" metatype="youtube"></iframe-embed>Comprised of Don Mitchell, Auyon Mukharji, Harris Paseltiner and David Senft, four likeminded multi-instrumentalists who first met at Williams College in 2009, Darlingside’s career has been defined by the elegance of their compositions and the unity of their four voices. Their talent for harmony and melodic world-building is part of what garnered praise from outlets like NPR, Rolling Stone and The New Yorker, and what has created demand worldwide for their extraordinary live performances. Becoming beautifully unindividualized has, in other words, worked very well for Darlingside in the past. With a vigor and discipline more common to graduate-level writing workshops than to indie rock, Darlingside has, over the years, experimented with all manners of idiosyncratic methods for elevating and upholding a truly democratic process of songwriting—processes that include multiple rounds of group writing and recording exercises—all with the aim of escaping the trap that bands with multiple songwriters often fall into: ego-driven infighting and artistic incoherence.&nbsp;

Darlingside

Brooklyn’s Kaleta &amp;&nbsp;Super&nbsp;Yamba&nbsp;Band are fronted by Afrobeat and Juju veteran Leon Ligan-Majek a.k.a. Kaleta. The singer/guitarist from the West African country of Benin Republic lived his adolescent life in Lagos, Nigeria where Afrobeat was born. Kaleta's guitar chops earned him decades of touring and recording with Fela Kuti, King Sunny Ade, Lauryn Hill and more.Kaleta got his start in the late 70s performing in church and was soon after picked up by iconic Juju master and world music pioneer King Sunny Ade. A few years later Fela Kuti came calling. Kaleta would go on to tour the world playing guitar for the King of Afrobeat in his storied band Egypt 80 through the 1980s and into the 1990s.Now based in New York City, Kaleta has been leading&nbsp;Super&nbsp;Yamba&nbsp;Band since 2017. Their debut album "Mèdaho," which was released by California indie label Ubiquity Records, draws on the group’s shared reverence for the raw, psychedelic sounds that captivated Kaleta as a music loving kid in 1970s Benin. Mèdaho means "big brother," "elder" or "teacher" and is dedicated to Kaleta's late brother Ligan-Ozavino Pascal who introduced him to funk and soul music at a very early age. The album was included on Bandcamp’s “Best Albums of Summer 2019” list and two of the songs were chosen for the ABC/Hulu series&nbsp;High Fidelity&nbsp;starring Zoe Kravitz.&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/DeepSeize">Deep Seize</a> is an Electronic/World Fusion duo formed in 2014 by&nbsp;producer&nbsp;Wyatt Andrews and&nbsp;handpan composer Jed Blume. The group has pioneered a new sound, which combines the ethereal melodic lines of live handpan with the grooving bass and heavy rhythms&nbsp;of Hip Hop and EDM. Deep Seize is based in southern Vermont and has performed at spaces throughout the New England region including venues, bars, ecstatic dance/contact improv jams, and festivals

Kaleta & Super Yamba Band

With several Grammy and Americana Awards under his belt,&nbsp;Jim&nbsp;Lauderdale‘s penchant for imaginative roots music encompasses all that is today’s musical landscape. His combination of Country, Bluegrass, Soul, R&amp;B and Rock has helped to pave the way for the current Americana movement.&nbsp;For several decades,&nbsp;Jim&nbsp;has written songs for and worked with some of the finest artists in traditional and modern music including Ralph Stanley, Elvis Costello, George Strait, Buddy Miller, Lucinda Williams, John Oates, Solomon Burke, Lee Ann Womack, Old Crow Medicine Show, Mary Chapin Carpenter, Blake Shelton, the Dixie Chicks, Vince Gill, Patty Loveless, and Gary Allan among so many others.&nbsp;&nbsp;He co-hosts "The Buddy &amp;&nbsp;Jim&nbsp;Show" weekly radio program on&nbsp;SiriusXM&nbsp;with Buddy Miller, was longtime co-host for Music City Roots - the weekly live radio show, podcast and PBS series – and the Americana Music Association honored him with the&nbsp;WagonMaster&nbsp;Lifetime Achievement Award.&nbsp;&nbsp;Jim&nbsp;has certainly earned it, having released a staggering 34 albums.&nbsp;Whether solo or band,&nbsp;Jim&nbsp;Lauderdale&nbsp;a triple threat performer, songwriter and musician who is constantly reinventing himself!&nbsp;

Jim Lauderdale

The Gaslight Tinkers' mix of global rhythms creates a joyous world beat sound around a core of traditional New England old time and Celtic fiddle music, merging boundless positive energy with melody and song. Drawing from their extensive musical backgrounds in traditional folk, Caribbean, old time, Celtic, and rock, I-Shea, Clara, Garrett, Elie, and Peter craft a sound that brings world traditions together.

The Gaslight Tinkers

Wowza! What a sizzling summer we've had! As we begin to wind down, BQDP brings you Heat of the Night, a hot dance party and cabaret at the Stone Church. Featuring a new addition to the BQDP DJ lineup, MollGoth, of Goth Girl Field Trip fame.MOLLGOTH DRIVES THEIR BLEND OF BASS MUSIC, EDM, AND TRAP INTO DROPS THAT WILL LEAVE YOU JUMPING AND DANCING ALL NIGHT. A BRATTLEBORO LOCAL, THE GOTH GIRL FIELD TRIP HEAVY HITTER CUT THEIR TEETH IN THE UNDERGROUND RAVE SCENE OF NEW ENGLAND.Performers to be announced in the coming weeks. Stay tuned!9p Doors | 10p Show | Dance till 1a Sliding Scale $10-25 notaflofThis event is 18+ due to mature content.Brattleboro Queer Dance Party is a welcoming and affirming space for queers and allies to gather and dance.

Not that kind of church sale! Gear! Beer! Vintage! Vinyl! Art! Upcycles! And more! FREE ADMISSION! Come get some merch at the church!

Craft Fair 

Welcome to Shatfest! The fifth annual event returns to Brattleboro this August! What started as a house show in Cornish NH back in 2018 has evolved over the years and continued to bring musicians, artists, and lovers of both together for fun that is never to be missed!With this iteration of the event, you can expect a variety of live musical acts spanning several genres, plus booths featuring incredible local art for sale! We will also have a free-for-all indoor cornhole game, balloons, and glowsticks for your enjoyment!Live Music Lineup:-Bent (MA Hardcore)-Mars Hendrik (CT Psychedelic Rock)-Sleepy Spectre (VT Hip-Hop)-Chodus (VT Squeetle Pop/Asthma Punk)-Amberlie (MA Pop/R&amp;B)-Deerest (VT/NY Indie/Electronic)Art Vendors:-Jen Wood (Landscape &amp; Wildlife Paintings)-Hippie Twigs (Local Art, Crafts, and Tie-Dye)-VROZE Prints / Veronica Stevens (Psychedelic Art)-The Banana Hammock Arts / Nicholas Cain (Abstract Paintings)-Lilac Mountain Crystals (Gemstones &amp; Jewelry)-802 Crochet / Tatiyana Martin (Crochet Garments &amp; Accessories)This event is ALL AGES!Admission is $10-$20 (Sliding Scale)Saturday 8/17 at 6PMThe Stone Church210 Main St, Brattleboro VT

ShatFest '24

The Thing is a four piece from New York City.&nbsp;The band originated in High School when Michael Carter, Jack Bradley, and Zane Acord bonded over a shared love for rock &amp; roll. Over the years they honed their craft, self recording and writing songs influenced by 60’s pioneers such as the Kinks, Grand Funk Railroad, and artists of The Nuggets Compilation. As they progressed in skill and knowledge the band started to envision a career inspired by the likes of Brian Jonestown Massacre, King Gizzard, and The Black Keys.The Thing started playing shows and creating a buzz around New York City in the Winter of 2022. Shortly after, the band embarked on small tours up and down the east coast. Their energetic live performances earned the attention of honest music lovers.&nbsp;Their debut record “Here’s The Thing” was released in April 2023. The record is a compilation of songs written throughout the early years of the band. It was self recorded and produced deep in the hills of Sharon, CT, continued in their Crown Heights apartment, then finished in the band’s East Williamsburg studio, Onion Records. While each environment was set up with humble equipment, the band's commitment for authentic recording and their passion for rock &amp; roll is what makes the album unique.With the album out in the wild and the addition of Lucas Ebeling on the kit, The Thing is relentlessly touring, recording new music, and breaching the modern world of rock &amp; roll.LONG LIVE THE THING&nbsp;Native Sun grows with increasing urgency in the face of the inexorable climate crisis, growing civil division, and overlapping public health emergencies. Colombian-American songwriter Danny Gomez (vox/guitar) battles the impotence of our time when it seems, to use the words of Voltaire, common sense is not so common. Nico Espinosa (drums) and Justin Barry (bass) round out the resonant rhythms &amp; Jack Hiltabidle (lead guitar) create a space of controlled chaos at high-energy live shows as well as detailed and layered recordings. Raw and honest, the New York band delivers solace and catharsis to all audiences—singing about grief, disillusionment with our time, and lovingly documenting the lives of the outcasts and misfits. Native Sun channels the grit of punk with the tenor of the times when rock ‘n' roll could change something.Their latest EP Off With Our Heads, produced by Walter Schreifels (Quicksand, Gorilla Biscuits, Rival Schools) is out now via Grand Jury Music (Twin Peaks, TOLEDO, Carl Barât) and Rough Trade Publishing.

The Thing//Native Sun

$20 in advance / $25 at the gate / Children under 12 free • Advance ticketing closes two hours before showtime.Fiery Balkan brass, throbbing funk grooves, Roma (Gypsy) accordion wizardry, and virtuoso jazz chops make Slavic Soul Party! NYC’s official #1 brass band for BalkanSoul GypsyFunk. SSP! pumps a strong Balkan brass sound through the filter of life in New York’s outer boroughs, making new music out of the unplanned results of immigration, proximity, and globalization. Over the past 15 years the band has released 7 full-length albums, and toured in the US, Canada, Mexico, Europe, Turkey, and Zimbabwe, from pasha’s palaces to dive bars, Carnegie Hall to Serbian schoolyards, festival stages to prison courtyards. The band’s music has fans on both sides of the Atlantic, and their tunes have been covered by Serbian brass stars, New Orleans funk stalwarts, and legendary street bands. SSP!’s Tuesday night residency in Brooklyn has become a destination for music fans from around the world, and is famous for “delivering a great time.” (New York Times)In September 2016 Ropeadope Records released Slavic Soul Party! Plays Duke Ellington’s Far East Suite. SSP! re-imagines Duke Ellington’s iconic Far East Suite as an Eastern European brass band discovering an exotic American sound, reversing the “exotic tinge” and reveling in this subtle, funky, and brilliant music. Ellington’s suite (created with Billy Strayhorn) was inspired by a 1963 State Department tour that was cut short – they didn’t make it to the “Far East” – and serves as a perfect foil for SSP!’s blend of East European, Romani, and American sounds. Critics call it “a pretty heavenly match” (TimeOut NY) and say “parts of SSP’s reinterpretation sounds like a Bulgarian wedding, others like a gypsy jazz funeral in New Orleans. And yet… it all sounds like Duke Ellington.” (Wall St Journal).The Bandwagon Summer Series is a family-friendly outdoor cultural performance series running from early May through mid-October. 20 performances ranging from a diverse group of musical styles, circus arts, dance, and theater will take place at ballfields, farms, and parks throughout Windham County. Kids under 12 always get in for free, and a dedicated play area will be available at all shows. Refreshments are sold onsite, including the return of the hugely popular Barr Hill cocktails. Bring a picnic and a blanket or fold-up chair to enjoy our concerts.

Slavic Soul Party

Deca/Jarv

Banned From Utopia (BFU) is the Zappa tribute act featuring more of his former band membersthan any other band currently touring. Scott Thunes was Frank’s longest tenured bassist(1981-1988), and such a trusted member of the band that he held the prestigious title of“Clonemeister,” leading the band and serving as MD in Frank’s absence. Robert Martin, also inZappa’s band from 1981-1988, provided keys, sax, and amazing(ly high) vocals on many of hisclassic albums, in addition to working with Stevie Nicks, Etta James, and Paul McCartney, justto name a few. Ray White (1976-1984) served as co-lead vocalist on many tours and albums,lending his amazing voice to such classics as Doreen and his backing vocals to countless others.Rounding out the band is Jamie Kime (Zappa Plays Zappa), Robbie Seahag Mangano (ProjectObject, The Grandmothers), and Joel Taylor (Al Dimeola).The Paul Green Rock Academy (PGRA) is the latest music school from School of Rock founder,and noted Zappa fanatic, Paul Green. An audition only music school for ambitious students aged12-18, PGRA has spent the last 5 years touring, alternately, as the backing band for Jon Andersonof Yes and Gibby Haynes of the Butthole Surfers. They have also shared the stage with suchamazing musicians as Bill Bruford, Steve Hackett, and Phil Manzanera. Paul’s former studentshave gone on to play in/with: The Who, Phony Ppl, The Bobby Lees, Dr Dog, Adrian Belew, andWillow Smith, to name a few.The origin for this tour began at the Zappanale festival in 2023, where Paul Green was makinghis return after a 6 year break (but his 7th appearance overall) with the students of PGRA,headlining Friday (playing Zappa) and Saturday night (with Jon Anderson). The Sunday (andoverall) headliners were Banned from Utopia and Paul and his students stood in stunned silencewatching a band that was like watching one of the best Zappa bands from the 80s. A friendshipwas struck up between the groups and plans were soon in motion to tour the US in the summer of2024.We are calling the tour the “We ❤ Zappa Tour” because it is all about our shared love of thisamazing music, teaching it to a new generation, and bringing it to his fans, who are thebest”

THE I LOVE ZAPPA TOUR -BANNED FROM UTOPIA

Matt Turk and C Lanzbom joined forces to form Deadgrass, a string bandadventure through Jerry Garcia’s musical world. Bassist Dave Richards,banjo player Boo Reiners and fiddler Kensuke Shoji complete this finegroup of seasoned pros exploring the life works of Jerry Garcia on theinstruments that first inspired him. Deadgrass celebrates and interprets themusic of Jerry Garcia, drawing from Old &amp; in the Way, JGB, Jerry’s JugBand days and The Grateful Dead.A seasoned recording artist and multi-instrumentalist, Matt Turk is aveteran performer who has performed and recorded with Pete Seeger,opened for Judy Collins, The Doobie Brothers, Fiona Apple and theGrateful Dead's Mickey Hart. He has performed at the Clearwater Festival,Gathering of the Vibes, Atlanta's Music Midtown, Jazz at Lincoln CenterThe Capitol Theatre and The Beacon Theatre. Matt has recorded forWarner Bros Records with Gaby Moreno &amp; Matter Music.Grammy award winner C Lanzbom is a touring and studio guitarist withproducing, performing, writing and engineering credits with Pete Seeger,Bruce Springsteen, Crystal Bowersox, Shlomo Carlebach and Soulfarm.C's studio, Sherwood Ridge, is a state of the art recording facility just northof New York City. C has numerous television and film song placements. Hisaffection and passion for Jerry Garcia’s music has been a major influence.Bassist Dave Richards performs in Hamilton on Broadway and hasrecorded and performed with The Indigo Girls, Rosanne Cash, BusterPoindexter, Madeline Peyroux, Jewel and Richie Havens. He has touredthroughout Europe, Canada and the USA, appearing at Ottawa Jazz,Toronto Blues festival, The Hollywood Bowl and Austin City Limits. At theage of 17 Dave was playing jazz five nights a week in Orlando, Florida withBilly Peebles, the drummer for Ray Charles on many classic Atlanticrecordings.Banjo player Boo Reiners is a multi-instrumentalist who has performed,recorded, filmed and toured with Dispatch, Phil Lesh, Al Kooper, PeteSeeger, Charlie Louvin, Steve Martin, Tony Trischka, Michael Moore, AmyPoehler, Natalie Merchant, Martin Sexton, and many others. In the studioand on tour with world music pioneers The Klezmatics, he helped the groupto win their 2007 Grammy Award for "Wonder Wheel: Lyrics By WoodyGuthrie.”Jazz violinist Kensuke Shoji was born in Gifu, Japan. He joined his father'sbluegrass band as a teenager. As a young adult he moved to the U.S.A. tostudy jazz violin with Berklee String Department chair Matt Glaser, andworld renowned violinist Christian Howes. Dedicated to improvisation,Kensuke moved to New York City in 2013 to play with Alex Hargreaves,Barry Harris, Jacob Jolliff, Maria Muldaur and more

Deadgrass

After StoryCorps' nearly month-long residency in Vermont we invite you to gather with your community and hear some of the stories that your fellow Vermonters have shared. You might laugh, you might cry, but you will definitely learn more about your friends and neighbors in the Green Mountain State.Seating is limited. Reserve your free ticket from the link below!You can also stream this event live from our YouTube channel: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=zbOMv_1_t1g">https://www.youtube.com/watch?v=zbOMv_1_t1g</a>

StoryCorps in Vermont Listening Party

Let's face it: There's no such thing as “real life”. There is only experience and the negotiations we undertake in order to share it with other people. On her second album Blue Raspberry, the New York-based songwriter Katy Kirby dives headlong into the artifice of intimacy: the glitter smeared across eyelid creases, the smiles switched on with an electric buzz, the synthetic rose scent all over someone who's made herself smell nice just for you. An exegesis of Kirby's first queer relationship, Blue Raspberry traces the crescendo and collapse of new love, savoring each gleaming shard of rock candy and broken glass along the way.&nbsp;&nbsp;Originally from Spicewood, Texas, Kirby was living in Nashville when she started writing Blue Raspberry's title track, the first of the album's songs to take shape. "'Blue Raspberry' is the oldest song on the record. I began to write it a month or so before I realized, I think I’m queer," she says. "There’s a tradition of yearning in country love songs. I like the male yearning songs better, usually. I started writing 'Blue Raspberry,' and I was thinking about, if I was in love with a woman, what would I love about her? Especially if she was someone that I couldn’t touch, but that I was pining for. What would I be caught on? And I thought that I would probably be particularly charmed by the choices she made on how to look after she woke up in the morning.&nbsp; I thought about tackiness, and the ways that’s a dirty word. That’s where the title comes from -- loving someone for those choices, for the artificiality."&nbsp; Blue Raspberry follows Kirby’s acclaimed debut album Cool Dry Place, which was also recorded in Nashville and released in February of 2021. While the songs on that record unfold amidst Kirby finding her voice, Blue Raspberry is a polished and confident sophomore effort that deepens the questions that bubbled through Cool Dry Place about how people can reach each other despite all the hazard zones where human connection caves in.&nbsp;&nbsp;&nbsp;After realizing that her romantic interest in women went beyond the confines of a songwriting exercise, Kirby kept writing songs that sought to untangle that false binary between the real and the fake, to celebrate the spectacles people put on for each other when they're falling in and out of love. She committed herself completely to the work of drawing out these songs, often stealing away to her van to write immediately after playing an opening set while on a 2021 tour with Waxahatchee. For the first time since she started writing songs, Kirby stopped tamping down on her impulse to craft ornate, generously embellished music. "I felt less embarrassed about just wanting to write really gorgeous songs," she says. She started weaving more intricate chord progressions and melodies into her work, and in turn she felt emboldened to hold onto the more baroque flourishes of her lyrics without whittling them down into plainer lines.&nbsp; Many of the songs that make up Blue Raspberry stemmed from a single page of lyrical fragments, words and phrases that kept their hold on Kirby even as she slipped them into multiple settings. Images repeat on different songs throughout the album: cubic zirconia gleaming at a woman's throat, the lab-grown substitute indistinguishable from earth-crushed diamonds; salt crystallizing as seawater dries on reddened skin; teeth that shine in a grin and then bite till they bruise. These refrains and reprises lend a tight narrative cohesion to the record, elevating its sharp queries into all the unlikely shapes love takes as it surges through you.&nbsp; To underscore Blue Raspberry's lyrical themes, Kirby worked with her band to develop a newly lush sonic palette replete with orchestral gestures arranged by her friend Rowen Merrill. "I felt like I was intending to write love songs for the first time. Once I realized they were queer love songs and celebrating artificiality, I wanted them to sound like they were bidding for a spot in the wedding reception canon," she says. "It was more fun to just go for it than to try to restrain ourselves. Especially if we were just accepting the fact that we were trying to make objectively beautiful music, whatever that means."Together with producers Alberto Sewald and Logan Chung, Kirby looked to albums like Andy Shauf's The Party and Lomelda's Hannah as models for Blue Raspberry's abundant but spacious gorgeousness. Piano and strings echo together on the gentle ballad "Salt Crystal," while scrapes of cello punctuate each heartbroken line of "Alexandria," a song about the dissolution of Kirby's first queer relationship and recorded live in one take. Cymbals and organs stagger across the offbeat "Drop Dead," one of the album's most playful songs that highlights the sly humor in Kirby's lyrics: "There’s no virgin territory for a body like hers." On the album's title track, Kirby sings trailed by a pitch-lowered echo of her own voice, her guitar chords hanging in the air like question marks. Her imagery seizes upon the bright, garish colors of mass-produced material, homing in on its sensory intensity while casting aside any judgment about its source. "Her eyes burn white as Styrofoam right into me," she sings, rendering a cheap, disposable substance into shocking magic.&nbsp; "Why wouldn't that be enough?" Kirby sings throughout the album, a question that's never answered and never drops. Every attempt at love strains toward the idea of the real thing, that totalizing force that makes everything around it perfect forever. But if no one ever gets there, why wouldn't the straining itself suffice? Blue Raspberry shivers with the idea that the key to the treasure is itself the treasure -- even if it's plastic, even if its gold coating flakes off at your touch, even if despite all your searching you never find the lock.&nbsp;&nbsp;Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. "Blending everything that I like together and trying to make something new — that's what feels most natural to me," says the 23-year-old Brooklyn-based singer-songwriter and guitarist. "It's what feels most true to who I am as an artist." On her newest EP and Bayonet Records debut Kabutomushi, Mei's diverse sonic palette adds depth to her experiences of the complexities of love. Through the EP's fiveDerek Sensale gives an intimate stage performance of original folk songs, rooted in tradition and generously dusted with Vermont soil. Leaning into the wonders of the natural world, each song is a personal narrative stitched together with melodies ranging from joyful to melancholic.

Katy Kirby/Mei Semones/Derek Sensale

In a harmonious union, singer-songwriters Zella Day and Jesse Woods come together to reveal their highly anticipated collaboration, “Chaparelle”. Esteemed for their exceptional vocal prowess and celebrated contributions to their distinct genres, Zella and Jesse craft a musical tapestry that harkens back to legendary duets of icons like George and Tammy or Gram and Emmylou. This partnership channels the enduring allure of Country music’s golden age, weaving a melodic narrative that resonates with themes of love and the indomitable Texan essence.

Chaparelle 

Stoop Kidz is a Brooklyn based Brass Band, drawing influence from second line New Orleans music with a modern twist. Serving up hot disco/pop covers and original music, aiming to spread joy thru fun dance music! Featured in The NY Times and Gothamist, we are stoked to be coming up to Brattleboro!&nbsp;

Stoop Kidz Brass Band

When you’ve been a band long enough to release eight studio albums, play two thousand shows, work with Joan Jett &amp; Stevie Van Zandt, and give birth to two children who are now old enough for guitar lessons, the Punk Rock roadshow turns into a family affair. But even with the addition of their two youngest traveling cohorts — son River and daughter Daisy — The Dollyrots won’t be confused for The Partridge Family anytime soon.“Sometimes you get bored with the party,” says bassist/vocalist/mom Kelly Ogden. “We toured for over a decade being ridiculous, drinking too much, being crazy. Honestly, I was ready to throw in the towel more than once.” Things have changed since that earlier pre-parental era of the band, the longstanding artistic collaboration between Kelly and her husband, guitarist/dad Luis Cabezas. “Our kids are totally normal at home but are so easy on tour. They just know what to do, on stage and off. It’s a part of them,” says Cabezas.The next adventure on the now-expanded Dollyrots caravan is the brand new album Night Owls, their latest full length effort. Released in October 2023 through Stevie Van Zandt’s Wicked Cool Records, the album is co-Produced by longtime collaborator John Fields (Jimmy Eat World, All Time Low, Meet Me At the Altar). “John Fields is our George Martin,” says Kelly. “He’s pretty much our bandmate that doesn’t tour.”

The Dollyrots/ The Boreouts/ Chodus

"Nashville's newest bluegrass ambassadors," East Nash Grass comes as a refreshing break -- a balance of undeniably hard-driving bluegrass alongside surprisingly introspective songwriting and earnest narration. Featuring a who’s-who of Nashville’s hottest young pickers, the joy and passion these musicians feel towards the genre is infused in every note they play and every word they sing. Their second full-length album Last Chance To Win was released in 2023.East Nash Grass is James Kee (guitar &amp; vocals), Grand Master Fiddle champion, Maddie Denton, Gaven Largent (dobro), “Presidential Scholar for the Arts in Jazz”, Jeff Picker (bass), and TWO (2) IBMA Momentum Award-winners for Best Instrumentalist, Cory Walker (banjo) and Harry Clark (mandolin).“Out of the Wilds of East Nashville came this band of ringers, each of them playing in National high profile Bluegrass bands. The sound they make when they play together rivals that of any of their main gigs. Who knows, but I heard them as a finely tuned machine that could survive on its own. The National high profilers better hang on tight! East Nash Grass is on the move.” - Jerry Douglas

East Nash Grass

Canadian Metal Gods Anvil descend from the not so frozen north Wednesday July 10th!With supports from Adamantis &amp; Pulsifer!

Anvil

Brainstory’s new album Sounds Good, simply put, lives up to its name.Based in L.A. but hailing from the Inland Empire's own Rialto, CA, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. While the group's initial connection comes from the heady mixture of jazz-performance-focused music school and the grind of playing local shows, their bond has been strengthened through countless hours on the road touring and the making of two studio records—2019’s debut full-length, Buck, followed by 2021’s Ripe EP. "Being on the road, doing our own tours, and backing incredible people like Lady Wray, has sharpened our skills and really revved us up for this record," Kevinsays. "It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that thread through this record.

Brainstory/ Luke DeRoy

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. On his new album Rhumba Country, LaFarge reveals his newly heightened devotion to making music that channels pure joy. “There was a time when I glorified sadness because I lost sight of who I was, but now I understand that creating and expressing joy is my gift, and gifts are meant to be shared,” he says. Reclaiming his voice, LaFarge has recorded his boldest album yet.

Pokey Lafarge

Florry is a Philly-based country rock outfit led by Francie Medosch and featuring a cast of the most daring and tasteful players of the underground. Francie’s songwriting is pointed, personal and current, yet arranged with a keen ear toward the canon of late 20th century outlaw country and rock n’roll.

Florry/Dead Gowns

“I Keep My Feet on the Fragile Plane” – Allegra Krieger’s fourth record and her first with Double Double Whammy – is her most mature and alluring work yet. It contains all the signatures of her best lyricism: delicate and precise phrasings, moments that flicker between beauty and banality, meaning that forms through the accretion of observations, memories, and unexpected adages. This is an album that is at once post-theistic and devoted to a relationship with the divine, each song blinking in and out of “the fragile plane,” a place Krieger describes as “a middle ground in the universe,” both abstract and peaceful, where time, bodies, and names don’t exist. Krieger’s peripateticism has clearly informed her songwriting. She spent her childhood on the blistering beaches and cold Catholic pews of northern Florida. Before settling in Chinatown, she drifted through suburban Pennsylvania, North Carolina, Portugal, Italy, and Ireland cleaning motel rooms, planting trees, tending bars, and picking olives. In “Terribly Free”, she walks with the rats in Manhattan; in “I Wanted to Be” she bites into a ripe orange somewhere in the south; in “Nothing in This World Ever Stays Still” she stands outside of a sports bar in LA watching coastal smoke rise from the hills; later, she describes being “moved by whatever’s moving us.” It’s with an almost deadly self-awareness that Krieger assembles a world in which people and places leave as quickly and easily as they arrive. “I never forgot,” she tells us in “I Wanted to Be,” “that as something grows something else must rot.” Yet Krieger doesn’t linger too long in honest exhaustion. Soon, she’s drinking coffee and watching a child dance across the street. Later “a brief but brilliant sun touches the hills” and she takes on the child’s inclinations, telling us, “if you feel like dancing, you must let it out, no room for question, no room for doubt.” Krieger initially collaborated with Luke Temple and Jeremy Harris to record her vocals and guitar to tape at Panoramic Studios in West Marin, CA. As the album continued to form, Krieger envisioned instruments – like the French and English horn (Nancy Ranger and Priscilla Reinhart), electric guitar (Jacob Drab), and pedal steel (Kevin Copeland) – as characters which would walk in and out of the soundscape. What emerged from conversations with composer Sammy Weissberg, are brass parts that have a dark, almost surreal logic: horns arise to emphasize a word or phrase, fall out completely, only to rush back with dissonant orchestrations that gesture simultaneously toward deterioration and generation. Krieger herself plays pedal steel on “I Wanted to Be,” a song which was finished at Science is Magic Studios, and takes the form of an ouroboros: the chorus feeds into itself in a seemingly endless cycle before colliding into a rising clash of Krieger’s pedal steel and Drab’s electric guitar. While Krieger takes inspiration from Elliot Smith’s honesty, Judee Sill’s cosmic reaching, and Joni Mitchell’s sharp noticing, the dream-like association, harmonic dissonance, and angular melodic ascensions in each song are singularly and delightfully Krieger’s. &nbsp; “I Keep My Feet on the Fragile Plane” is a daring collection of songs by an artist who scries with both the cold glass eye of truth and the beating heart of empathy; who portrays life in all its twisted complexities and in turn makes the felt and invisible, visible.Hour is an instrumental ensemble that demonstrates a compositional ethos grounded in rote arrangement and group improvisation while aiming for breathy timbral intricacy and carefully balanced melodicism. Formed in the flourishing underground of West Philadelphia in the latter half of the 2010s, Hour fluctuates in size and scope around composer and multi-instrumentalist&nbsp;Michael Cormier-O'Leary (Friendship, 2nd Grade, Dear Life Records) who provides a clear yet open-ended harmonic framework and an ambitious ear towards evoking atmosphere, both expansive and intimate.&nbsp;Their album Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker’s pop orchestra. It also retains the arresting intimacy of the band’s early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world.&nbsp;RIYL: Bill Frisell, The Rachel’s, Eiko Ishibashi, ECM Records.Lily Seabird is a perceptive songwriter who can channel moments when everything feels raw and overwhelming into something healing and galvanizing. With Alas, the Burlington, VT-based artist's sophomore album, she confronts grief with palpable clarity on tracks that careen from delicate folk to blistering indie rock.

Allegra Krieger

Come dance like we're all FREE! Liberate your moves and wear what makes you feel like your most fabulous self.DJ LeFox plus performances by local drag and burlesque artists!$$$ Bring your dollars to tip performers and bartenders $$$This event is for Queers and Allies that are 18+Sliding Scale $10-20

Bratt QDP- Liberation Dance

Horsegirl is a noisy rock trio from Chicago composed of Penelope Lowenstein (she/her), Nora Cheng (she/her), and Gigi Reece (they/them). Horsegirl draws inspiration from shoegaze and post-punk, in the realm of ‘90’s American and UK indie underground.TV Buddha is the duo of Johnson Rockstar and Eli Schmitt. We are an american rock band.

Horsegirl/TV Buddha/Perennial

Church of Mosh IIVoid BringerHollow TeethBrace For ImpactLow

Church of Mosh II

Twen is a van-lifeing rock band that emerged onto the east coast music scene in 2017 with their distinct blend of shoegaze, indie rock, and post-punk influences.&nbsp; Though the band was formed in 2016 by lead vocalist Jane Fitzimmons and guitarist Ian Rollins Jones, their emergence post-pandemic has marked the beginning of what is essentially an entirely new project; save for their keeping the name “Twen”. This latest chapter is marked by the band booking their own tours, designing and screen printing their own merch, directing and editing their own music videos, and producing and mixing their own albums; all to a degree which would seem impossible to believe, if you didn’t know that they also built their own mobile-home from scratch and have been living in it, traversing the North American continent for the past 3 years. The duo-led 5 piece are readying their 3rd LP to be released in 2024, but have already debuted lead single ‘SeaStar’; an early 00’s throwback to Southern California beach anthems that finds the band further evolving from the coy, shoegaze aesthetics of ‘Awestruck’ (2019) – to a modern classicism; characterized on their 2nd LP ‘One Stop Shop’ (2022) by political (yet hopeful) lyrics, indelible hooks and a home-grown sonic mix that rewards the listener with each subsequent spin. With over 350 shows under their belt across North America and Europe, including arena appearances supporting Rainbow Kitten Surprise, Wet Leg, Whitney, Tacocat, &amp; White Reaper, Twen’s live show exhibits their all-around relevance as a DIY rock band thriving in the digital age.Raavi is a Brooklyn-based indie rock project, originally from Boston, MA. In 2022 they released their EP It Grows on Trees, followed by a single “no bodies” via Hardly Art Records in September 2022.&nbsp; After a year spent touring, 2024 will usher in an era of new music, starting with an EP via up-and-coming label Mtn. Laurel Recording Co. A sophomore record soon to follow.

Twen/Raavi/Small Pond

After five months of not picking up an instrument, The Dead Tongues’ Ryan Gustafsonwanted to get rid of everything that was tied to his identity as a musician. He eventhought about changing his name. He was getting ready to throw out old notebookspacked with years of material but, for some reason, he decided to stop and go throughthem, just to see if there was anything worth saving. And sure enough, he found someimages and lyrics, threads from former selves he didn’t want to lose. Thus was thecatalyst for Dust, his fifth and best album as The Dead Tongues.Gustafson recorded Dust in nine days, the fastest he’d ever recorded anything. It wasthe fastest he’d ever written anything, too – in the past, writing a song would takemonths, but this time he somehow felt freer, and wanted to have fun. The record wasrecorded at Sylvan Esso’s studio, Betty’s, in the woods of Chapel Hill, North Carolina.He built it out with help from a number of his musician friends - Joe Westerlund(Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) onmandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of MountainMan, among others.Dust is meant to be listened to while taking a night drive, farflung and roving andexistential. Somewhere between the expansiveness of American jamband and thebanjo-centric folk songwriting of Gustafson’s Appalachia home. Gustafson explains thethematic throughline succinctly: “It’s this idea of uprooting and rebirth and cycles, andthe past informing the future, and the future informing the past. There is no single story.Everything is connected.”Natalie Jane Hill is a Texas native guitarist and singer-songwriter currently based in the mountains of North Carolina. She writes songs that reach for the haunted and comforting corners of the natural world, dressed in a gently virtuosic and singular approach to finger-style guitar.

The Dead Tongues

From the front-lines at Standing Rock to the archaic streets of Jerusalem, the Sahel Desert to Carnegie Hall, music has been the source of strength for Billy Wylder. The band features Avi Salloway (Bombino/Hey Mama) joined by an inspired cast of singular artists who have performed across five continents including concerts at Coachella, Newport Folk Festival, New Orleans Jazz Fest, Montreal Jazz Fest, Carnegie Hall, and Lincoln Center. Billy Wylder released their seminal third album, Trying to Get Free (Sand &amp; Gold Records), on August 25, 2023. The music weaves together American folk and rock with sensibilities from the Sahara Desert, exploring new musical space akin to Devendra Banhart, Beck, and Tinariwen. Billy Wylder’s new recordings evoke musical evolutions built on grooves informed by ancient African rhythms, art-rock textures, expansive guitars, violins, synths, and drum machines. Salloway’s lyrics flow with inspiration from mythical songwriting hero Leonard Cohen, while threading together more abstract imagery reminiscent of Thom Yorke. On the new record, Billy Wylder grapples with some of the most critical questions of our time. What is freedom? Has the American dream died? What is truth and what is truly important to us? The band knows that it takes courage to follow your dreams, to create your own sense of purpose and meaning while living in a society where the media and politics relentlessly project fear, hatred, division, and consumerism. Billy Wylder’s live shows are known for bringing together diverse audiences and building community through uplifting performances, movement, and a sense of universal goodwill. The global band includes musicians from Vermont, Cuba, Peru, and Chicago.&nbsp;Princess Kikou is a New Hampshire based World Beat group which draws heavily from Afro-Caribbean influences as well as modern Pop and Roots Rock. Made up of a core of musicians: Jon Tshibambi on Bass, Simon Gray on Guitar, John Meehan the fifth on Saxophone, and Garth Tichy on Drums, Princess Kikou also features a rotating ensemble of guest players. Blending together the Indie-Rock origins of a separate project, Blue Motel, and the globe-spanning influences of each of its members, Princess Kikou creates a unique, danceable sound, full of multi-lingual harmonies and syncopated rhythms.

Billy Wylder/Princess Kikou

Legendary New York Hardcore.<h2>First ever Vermont appearance!</h2><h2>Gorilla Biscuits</h2>Restraining OrderThe PathSlob DropSunday Matinee. Doors: 4pmAll Ages.Sunday, June 9th.$40 adv. $45 dosInfo: Spencer <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:scrispe@gmail.com">scrispe@gmail.com</a>

Gorilla Biscuits

BrattRock Returns!Saturday June 8th with special guests Color Killer and Circus Trees from Boston, anchoring a jam packed lineup of local and regional youth bands.Featuring (in order of appearance)Brooklynn AnaWyckeChloe BradfordThe JacketsRiver PartyYourarmsaremylegs&nbsp;ParadiseJessica BeckGodzilla with a GunEmily MargaretColor KillerCircus Trees

BrattRock w/s/g Color Killer and Circus Trees

The EDD

The Garcia Project is the only nationally touring tribute that performs full, classic Jerry Garcia Band set lists from 1976-1995!Not a Grateful Dead tribute, but a tribute to Jerry Garcia’s beloved other band, The Jerry Garcia Band, which toured in between Grateful Dead tours, and played original songs as well as great covers from many genres, including rock, Motown, gospel, bluegrass and more.&nbsp;Often called the “DSO of JGB” by fans, The Garcia Project’s performances are based on actual set lists performed by The Jerry Garcia Band. All of their performances are recreations of full classic Jerry Garcia Band shows from 1976 to 1995. For anyone that never had a chance to experience the Jerry Garcia Band or for fans that want to relive a classic show, The Garcia Project delivers.&nbsp;The founding members of The Garcia Project got to see the Jerry Garcia Band live on tour for many years, and the sound and feelings are deeply embedded in them. With precise arrangements and the proper instrumentation and feel for the various eras, The Garcia Project faithfully channels and projects the feelings, emotions and music that propelled the Jerry Garcia Band and the fans through many years of musical bliss. It’s about family, soul searching, rejoicing, contemplating, celebrating, seeking truth and loving one another.

The Garcia Project

Get ready for a very special FUNK NIGHT at The Stone Church in Brattleboro, VT! Ben Atkind and Kris Yunker reunite for the first time since the pandemic, having previously shared the stage as OG members of Goose. Joining them is guitarist Ari Joshua, flying in from way out west for a release party in Burlington, VT. The night will also feature the incredible Matt Dolliver and Nephrok. Don't miss out on this amazing event! Limited edition posters by Alexander Hanke will be available. LET'S GO!

Funk Night

We are honored to welcome hip-hop legend Killah Priest to Stone Church Tuesday June 4th!We’re excited to partner with The Brattleboro Museum &amp; Art Center who will be hosting an exhibit of the original oil paintings of John Newsom created for Killah Priest’s album- <a target="_blank" rel="noopener noreferrer nofollow" href="https://open.spotify.com/album/5dmNNXWynt7p9Uy717mo4f?autoplay=true">Forest of the Happy Ever After </a>The exhibit opens Saturday March 16th and runs through Sunday June 16th- <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.brattleboromuseum.org/2023/10/26/john-newsom-forest-of-the-happy-ever-after/">John Newsom: Painting the Forest of the Happy Ever After</a>Killah Priest&nbsp;made his first appearances on such&nbsp;Wu-Tang&nbsp;Clan side and solo projects as Gravediggaz’&nbsp;6 Feet Deep,&nbsp;Ol’ Dirty Bastard’s&nbsp;Return to the 36 Chambers, and&nbsp;Genius/GZA’s seminal&nbsp;Liquid Swords. His contributions to those releases — especially&nbsp;Liquid Swords’ “B.I.B.L.E. (Basic Instructions Before Leaving Earth),”&nbsp;essentially a Priest solo track — paved the way for the release of the MC’s acclaimed debut album, 1998’s&nbsp;Heavy Mental&nbsp;on Geffen Records, and a lengthy and respected career in the hip-hop underground. In addition to his prolific solo work, he was an integral member of the groups Sunz of Man, the HRSMEN (aka the Four Horsemen), and Black Market Militia.Today, Killah Priest remains as prolific as ever, having released 13 solo albums since the acclaimed&nbsp;Rocket to Nebula&nbsp;on May 31, 2020. He owns and oversees the management of his own record label “Proverbs Records” which is constantly developing recording projects and releases for Priest independently. In addition to constantly touring, Killah Priest currently hosts his own podcast aptly called&nbsp;The Killah Priest Podcraft&nbsp;every Monday and Wednesday at 5pm PST / 8pm EST on his YouTube channel. The Podcraft offers viewers and listeners insight into a number of thought provoking topics including Ancient religion, philosophy and culture, Astrotheology, cymatics, sacred geometry, herbal medicine, natural cooking and food preparation, to name a few. As well as interviewing a wide variety of guests, such as Sophia Stewart, David Icke, Jordan Maxwell, Santos Bonacci, Ghostface Killah, Dr. Har Hari Khalsa, Zab Judah, Scarub, Flea (musician), 9th Prince, John Newsom, Ras Kass, and many more.&nbsp;Originally from Brooklyn, New York, Killah Priest currently resides in Los Angeles, California. For further information please visit <a target="_blank" rel="noopener noreferrer nofollow" href="http://killahpriest.tv/">killahpriest.tv</a>.&nbsp;SoloGem is a son of Killah Priest who has his debut as an MC on the track God Nature from the album Forest of the Happy Ever After. SoloGem is also a co-host on the weekly Killah Priest Podcraft. Originally from New York City, he currently resides in Los Angeles, California.

Killah Priest

Last year Field Day debuted in Guilford, VT at the Guilford Fairgrounds- 1 perfect day, 14 bands, 1000 attendees. It was in short, pretty perfect. This year we've got something a little different up our sleeves. Field Day is heading to Three County Fairgrounds in Northampton, Massachusetts for three days of STELLAR music- both at the fairgrounds and in Downtown Northampton at existing venues and outdoor locations. Interactive Art Installations, outdoor yoga and dance workshops, and what else, FIELD DAY GAMES!Friday 5/31: Field Day opens at the Fairgrounds with an unbelievable lineup. After 10pm, look for late night shows at Iron Horse, ticket holders will have first shot to grab add-on tickets for these off-site bonus shows!Saturday 6/1: All day music at the fairgrounds with a late night show at Iron Horse. Again, fest ticket holders will have first shot at these extras.Sunday 6/2: The Fest moves fully into Downtown Northampton. DJs spinning vinyl at bars and restaurants, outdoor shows in several locations. Art &gt;&gt; Music &gt;&gt; Food &gt;&gt; Buds! Details coming soon!First and foremost this event is about enjoying the absolute explosion of mind blowing music we are enjoying right NOW! Rock &amp; Roll. This lineup has some of the hottest, most dynamic acts out there. Going to be a hell of a weekend!

Field Day

Four years on from the release of their unexpectedly self-assured debut album, NYC based Nation of Language have attracted a rapidly growing international audience via their danceable and impassioned take on new wave, post-punk &amp; shoegaze genres. Following the critical acclaim of their their first LP&nbsp;Introduction, Presence, its 2021 follow-up&nbsp;A Way Forward&nbsp;pushed them to a wider audience—landing them their late-night TV debut on&nbsp;The Late Show with Stephen Colbert&nbsp;and a string of sold out tours—and their 2023 record&nbsp;Strange Disciple&nbsp;has&nbsp;continued this momentum, landing Rough Trade’s coveted #1 album of the year spot. Now a mainstay atop lists of the best live acts of recent years, the band continue to charge synth-first into their latest chapter as a major festival draw at recent iterations of Austin City Limits Festival, Desert Daze, Pitchfork Festival, Primavera Sound, Corona Capital, Outside Lands, Bonnaroo and many others.SUCKER, Jillian Medford's fourth album as IAN SWEET, is a massive leap forward for the songwriter and pop auteur. Perfectly merging her recently showcased pop sensibilities with the widescreen indie rock that she first made her name on, SUCKER is both sumptuous and fully realized, as Medford digs her hands into tough questions about looking ahead and personal growth. Her musical voice has only become more unique amidst an ever-growing field, and SUCKER is proof positive that even with a considerable discography in her arsenal, Medford is just getting started.

Stone Church

@stonechurch